시간 정지

@Image 1 defines the protagonist: her face, low-bun hairstyle, thin silver rectangular eyeglasses, and complete outfit — charcoal-grey double-breasted pantsuit, white shirt, black leather loafers. Do not copy the sheet's standing poses, panel layout, or background framing.
@Image 2 defines the exact silver early-2000s candybar mobile phone, including its lit LCD call screen: green call icon, call duration "2:38", contact name "사장님". Do not use its grey studio background or panel layout.
@Image 3 defines the printed document: its exact typography and the printed Korean sentence on white A4 paper. Do not use its desk background.

ONE CONTINUOUS SHOT — no cuts, no transitions, no hidden edits, from first frame to last.

[Global Settings]
A crowded Korean traditional market alley at bright midday: a narrow lane packed with shoppers and vendors, steaming fish-cake vats, oil sizzling on griddles, stacked produce crates, hanging goods, a delivery scooter idling, sunlight cutting between vinyl awnings. The whole video looks like authentic early-2000s consumer camcorder tape: small-sensor softness, limited dynamic range, slightly muddy colors, mild highlight smear, imperfect white balance, tape compression, no stabilization, no modern digital sharpness, no cinematic color grade. Every object in frame is period-correct for the early 2000s — stalls, carts, scooter, clothing, every device pre-2005. All background signs and price boards stay soft and illegible.
From the first frame the protagonist visibly carries everything: a matte black leather briefcase clamped under her left arm, a clear plastic cup of iced americano plus a few loose white printed documents — the front one being the @Image 3 document — gripped in her left hand, and the @Image 2 phone pressed to her right ear with her right hand. No object appears, disappears, floats, or morphs except through her fall.

[Stage 1 | 0-8s — handheld chase]
An unseen cameraman physically runs after her, filming from her left side, framing roughly waist-up: heavy natural handheld shake from running, irregular footsteps, audible breathing, sudden reactive reframes, shoppers occasionally passing between camera and subject for a fraction of a second. She runs urgently through the crowd, turning her shoulders to squeeze through gaps, overloaded, nervous, breathless.
Dialogue language: Korean, natural conversational delivery.
0-2s — the boss's voice through the phone's tiny speaker, thin, compressed, authoritative: {프롬프트 구했어?}
2-5s — she answers into the phone, breathless and urgent: {지금 받으러 가는 중이에요!}
5-7s — the boss, low and threatening through the speaker: {한 시간 안에 없으면… 알지?} — during this line the cameraman drifts slightly ahead, catching more of her face.
7-8s — she rushes to reassure him: {네네 사장님, 벌써 거의—} — she never finishes the sentence.
Audio throughout: genuine location sound from a consumer camcorder microphone — vendor calls, sizzling oil, bubbling broth, footsteps, her breathing, the thin phone-speaker voice.

[Stage 2 | at 8s — the trip, then time freezes]
At 8 seconds her foot catches on a warped floor mat between stalls and she pitches forward: the cup lid pops off, ice cubes and an arc of coffee launch outward, the documents fan into the air, her glasses slide off her face, the phone leaves her ear, the briefcase swings away from her body. At the exact instant before she hits the ground, TIME STOPS COMPLETELY. Every person in the market freezes mid-stride. The steam column above the fish-cake vat freezes solid in the air. A puffed-rice cannon at a nearby stall has just burst — its white cloud of puffed grains hangs suspended mid-explosion. Oil droplets hover above a griddle. A pigeon is frozen mid-flap. She is suspended mid-fall among frozen ice cubes, a flowing coffee arc, hovering papers, her floating glasses, the floating phone, the swinging briefcase. All ambient sound cuts dead to total silence, leaving only a faint low hum.

[Stage 3 | 8-17s — seamless FPV through frozen time]
The same camera, with no cut and no visual transition, carries its handheld momentum upward and organically becomes a fast, precise FPV drone movement — no visible drone or operator, wide-angle perspective, deep focus, physically believable inertia.
8.5-10s: rise above her, revealing the frozen market wide from above.
10-11.5s: dive to her face — frozen expression of pure panic, the silver rectangular glasses suspended just off her nose. Hold briefly.
11.5-13s: dart through the frozen coffee arc — individual ice cubes and droplets hanging motionless, the cup lid floating nearby, daylight refracting through them.
13-14.5s: lock onto the floating phone's small lit screen, matching @Image 2 exactly and clearly readable: green call icon, "2:38", contact name "사장님".
14.5-16.5s: glide between the suspended sheets of paper to the front-most document, which matches @Image 3 exactly — the same typography and the same printed Korean sentence, perfectly legible and filling the frame: 댓글에 'AI' 남겨주시면 프롬프트 보내드릴게요.
16.5-17s: pull away in a smooth descending arc around her frozen fall and settle back into the exact side-on medium framing of the opening handheld shot.

[Stage 4 | 17-20s — time resumes]
The instant the camera settles, time resumes naturally with no flash, no dissolve, no effect: the full market noise crashes back all at once. She hits the ground — coffee splashes across the pavement, ice cubes scatter, papers rain down, the glasses and phone clatter, the briefcase thumps. Natural handheld shake returns as the now-standing cameraman keeps filming her sprawled on the pavement; two nearby vendors turn toward her in surprise.

[Maintain Consistency]
She remains the same single person as @Image 1 throughout — same face, glasses, hair, suit. Crowd count and vendor positions stay consistent; every frozen person and object stays perfectly motionless from 8s to 17s and resumes from its exact frozen position. No object appears out of thin air, disappears, duplicates, or morphs. No subtitles, no floating captions or graphics, no logo, no watermark — the only readable text in the entire video is the phone screen UI and the @Image 3 document sentence, both in Korean; all other text stays illegible. No background music; diegetic location sound only.