Say Please

Character reference sheet as FOUR full-body views in a row on a clean white studio background — FRONT, 3/4, SIDE PROFILE, BACK — plus a large face close-up inset panel, shot like a 1990s American network-drama cast promo session on 35mm film: warm tungsten-tinted studio lighting, soft even fill, gentle Kodak-warm color, subtle film grain, true fabric color and garment weight.

Subject: a woman with tall runway-model proportions, nine heads tall — small head, elongated neck, very long legs filling the lower half of every view, the full figure standing head-to-toe and filling the entire panel height in each view, never compressed or shortened to fit the panel.

Hair kept exactly as the attached reference: long platinum-blonde crimped waves with naturally visible dark regrowth at the crown parting, wispy curly bangs over the forehead, hair worn loose past the shoulders with full crimped volume; at one temple, two small iridescent silver butterfly clips pin back a thin face-framing strand.

Makeup, full 1990s American drama treatment suited to her features: matte foundation with a soft powder finish, warm terracotta blush swept high on the cheekbones, subtle warm contour under the cheekbones, brows kept in her natural straight shape but softly defined with brown pencil, warm brown eyeshadow smoked along the upper lash line with a smudged dark-brown pencil liner, a hint of frosted champagne shimmer on the inner corners, two coats of black mascara, and the signature 90s lip — matte brown-mauve lipstick with a clearly defined deeper brown lip liner edge. Her small cheek beauty mark preserved. Short oval nails in sheer cinnamon-brown polish.

Complete outfit, layered 90s styling: a burgundy bias-cut satin slip dress ending just above the knee — thin spaghetti straps, delicate tonal lace trim along the neckline and hem, visible bias seaming, a small side slit, soft liquid drape with natural gravity folds — layered over a white ribbed-cotton baby tee with short sleeves and a subtly scalloped crew neckline; over it all, an open slouchy heather-grey coarse-knit cardigan with dropped shoulders, chunky ribbed cuffs pushed up to the forearms, and small smoke-grey buttons, hanging to mid-thigh. Worn accessories: a black velvet choker sitting tight at the throat, layered with a long delicate silver chain and a tiny oval locket resting below the collarbone; small silver hoop earrings; a stack of three thin silver bangles on her left wrist; two thin silver rings on her right hand. Black chunky leather penny loafers with low lug soles, brass strap detail, worn with slightly slouched white crew socks. Hands empty and relaxed at her sides in every view.

The attached photo provides facial identity only — facial features, skin, and hair color and texture. Do not copy its straight-on camera angle, tight framing, neutral expression, or flat lighting; every view follows the neutral lookbook standing pose and the promo-session lighting described above. Same person, same outfit, same styling in all views and the face inset.

Satin sheen against matte ribbed cotton and coarse knit clearly contrasted, visible seams, stitching and lace texture, honest light wear at the loafer toes, real skin texture with true micro pores. Photorealistic, ultra-detailed, 4K. No text, no logo, no watermark.

Creature reference sheet: TWO views side by side on a clean white studio background — full-body FRONT view sitting upright on its haunches, and a large head-and-chest close-up. Subject — one real chubby orange ginger tabby cat with bold darker-orange mackerel stripes, a white chest bib and white front paws, big round amber eyes with a heavy-lidded smug aristocratic expression, plump round cheeks, damp pink nose, long white whiskers, plush dense fur with individual strands visible, a thick striped tail curled neatly around its front paws.

Full comedic wardrobe, worn over its fur with real cat anatomy: a tiny burgundy felt fez hat with a swinging gold tassel, sitting tilted at an angle between its upright ears so both furry ears stick out prominently on either side; OVERSIZED thick round tortoiseshell-frame glasses, far too big for its face, slipped halfway down its muzzle so it peers judgmentally over the top rims — the thick dark frames clearly visible against the orange fur, lenses catching a soft light reflection; a generously puffed paisley silk cravat in burgundy and gold stuffed at its throat, so voluminous it pushes up into the chin fur; a tiny quilted burgundy silk smoking jacket with a black satin shawl collar, gold twisted-cord piping and loosely rolled cuffs, worn open over the chest so the white bib shows; on its left front leg, a chunky 1990s grey digital calculator wristwatch with a worn rubber strap, sized for a cat. Honest fabric details — visible quilting stitches, slight satin sheen, tiny creases at the jacket elbows, fur pushing out around the cravat and under the fez.

Real cat anatomy and proportions, four legs, sits like a real cat, NOT anthropomorphic, no human posture, no human shoulders, no cartoon styling. Paws empty. Shot like a real studio animal portrait session — true fur grain, natural eye moisture, soft even lighting, sharp focus, subtle 35mm film grain. Photorealistic, ultra-detailed, 4K. Original animal, not resembling any existing film or brand character. No text, no logo, no watermark.

A location-scout photograph of an empty 1990s American multi-camera sitcom apartment living-room set, taken at a 3/4 angle from the main camera position, 9:16 vertical framing. EVENING: two windows on the back wall with cream venetian blinds half open, deep blue dusk sky and warm lit windows of the building across the street beyond them; inside is bright, warm and cosy — ceiling light, a brass floor lamp and a table lamp all on at once, high-key warm tungsten light, soft even fill, no dark corners. A large overstuffed forest-green sofa with soft rolled armrests faces the camera, mustard and cream throw pillows, a crocheted blanket over one armrest; a low wooden coffee table in front on a geometric rug in beige, rust and teal; a boxy wood-cabinet CRT television on a media stand at screen-LEFT, rabbit-ear antenna on top; open shelves crammed with paperbacks, board games, a fishbowl and trailing ivy plants; framed posters on warm cream walls with honey wood trim, hardwood floor. On the RIGHT side of the frame: a heavy wooden front door with a brass deadbolt and chain lock, a coat rack and a small key table beside it. Lived-in oddity: thin cables neatly zip-tied along the baseboards converging at a small homemade electronics hub blinking green under the coffee table, and a chunky grey universal remote lying on the sofa cushion. Real set architecture, physically grounded furniture, true light falloff, subtle 35mm film grain, slightly imperfect framing like a real scouting snap. Empty of people, no cat. NOT a 3D render, NOT CGI, NOT a matte painting, NOT AI-looking. No readable text, no logo, no watermark. Ultra-detailed, 4K.

A location-scout photograph of a 1990s American brick apartment building exterior at dusk, taken from street level across the street at a slight 3/4 angle, 9:16 vertical framing. Deep blue dusk sky above the rooflines, the last faint orange fading at the horizon. A classic red-brown brick walk-up with a stone stoop, arched entry, black iron fire escape zigzagging down the facade, and rows of double-hung windows. Several windows glow warm tungsten yellow; ONE second-floor window is the clear focal point — brighter and cosier than the rest, cream venetian blinds half open, warm lamplight spilling out, a hint of trailing ivy on its sill. Below, a quiet 90s street: a warm street lamp pool on the sidewalk, a boxy 1990s sedan parked at the curb, a fire hydrant, bare street trees. Every object period-correct for 1996 or earlier. Real architecture, true light falloff, subtle 35mm film grain, slightly imperfect framing like a real scouting snap. Empty of people. NOT a 3D render, NOT CGI, NOT a matte painting, NOT AI-looking. No readable text, no logo, no watermark. Ultra-detailed, 4K.

Retro 1990s American network sitcom title card logo, the words "SAY PLEASE" in large chunky rounded serif hand-lettered capitals on a gentle playful upward arc, warm butter-yellow fill, thin tomato-red outline, soft offset drop shadow to the lower right, hand-painted 90s TV show logo slightly worn by broadcast, tiny imperfect edges, bouncy letter baseline, subtle film grain on the lettering only, lettering centered with generous empty margin on all sides, on a completely pure solid black background #000000, deep flat black with no gradient, no vignette, no glow, no dust, no texture in the background, nothing else in frame --ar 1:1 --v 8.2 --hd --raw --s 150 --no photo, person, scenery, background texture, vignette, watermark