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생성 프롬프트 · 5416자
is the first frame. It defines the opening composition, the woman's position and pose, the coral can in her hand, the flat off-white paper ground, the cobalt blue pen drawing and its placement, the palette, and the camera framing. Use its background — it IS the scene. Preserve its flat shadowless light. defines the same one woman's facial identity, hair, makeup, outfit and accessories from additional angles so she stays consistent as her body turns. It shows ONE person repeated across panels — exactly one woman appears in this video. Do not reproduce its panel layout, its white studio background, its neutral standing pose, or its lighting. Do not add a second person. FORMAT: one single continuous take, 15 seconds, no cuts and no transitions of any kind. A continuous lateral tracking shot from the first frame to the last. SUMMARY: a woman walks steadily from left to right through a flat off-white paper world drawn in cobalt blue pen, presenting and drinking from a coral can, while the drawn world slides past her and new small drawn events keep entering the frame. 0-3 seconds: She walks at an easy steady pace, the can held low at her side, her expression relaxed and open. A drawn cyclist overtakes her from behind and slides off the left edge. Two drawn clouds pass overhead. 3-6 seconds: Still walking without breaking stride, she raises the can to shoulder height and turns her upper body slightly toward the lens, presenting it lightly on an open palm and fingers rather than gripping it. A drawn child flying a kite enters from the right edge, the kite string running up out of the top of the frame. 6-9 seconds: Still walking, she brings the can to her lips, tips her chin up a little and takes one swallow, her eyes narrowing briefly. At the exact same moment a drawn figure entering from the right raises a drawn can and drinks in time with her. 9-12 seconds: She lowers the can back to chest height, releases a warm open smile toward the lens, her shoulders loosening. Two small drawn dogs run in from the right along the horizon line, overtake her, and continue off the left edge. 12-15 seconds: She turns her gaze forward again and keeps walking. The drawn horizon rises into a gentle hill beneath her feet and three drawn birds lift off it into the upper frame. The camera eases back very slowly, opening empty paper around her. LAYER LAW — this governs every frame. The woman is a real photographic person walking IN FRONT of a flat two-dimensional drawing. She is never drawn, outlined, sketched, stylized or converted into line art, not even partially. The blue drawing has zero depth: no perspective, no cast shadow, no texture, no lighting response, no thickness. It never passes over, in front of, or across her body — where she overlaps a drawn element she simply covers it. She casts no shadow onto the paper. She is not standing in a room and the paper is not a wall. CAMERA AND SPACE: the camera tracks laterally to the right at exactly her walking speed for the whole take. She stays centred in frame and her on-screen size never changes until the slow ease-back in the final three seconds. The drawn world slides from right to left as a single flat plane — every drawn element travels at the identical speed because there is no depth between them. The clouds may drift a little on their own within that plane, the way a drawn animation moves, but this is never parallax and never depth. No zoom, no push-in, no tilt, no handheld shake, no rotation. CONTINUING THE DRAWING: as the world scrolls, new drawn elements enter from the right edge. Every one of them is made with the identical cobalt blue ink, the identical stroke weight and living pen pressure, pure outline only — never filled, never coloured, never shaded, never given perspective — sitting on the same off-white paper with the same visible tooth. The horizon line continues unbroken across the whole take and never changes colour or thickness. PHYSICS: her heel lands first on every step in strict left-right alternation with one foot always on the ground. The soles of her sneakers stay in contact with the drawn horizon line, and that line slides beneath her feet at exactly her travelling speed, so she is genuinely moving through the world and never treadmilling in place. Her satin pleats swing open and lag behind each stride. Her linen sleeves shift softly. The can has real weight, stays upright in her hand, and is already open. OBJECT LOCK: exactly one can exists in the entire video and it never leaves her hand. Her other hand stays empty and swings naturally. No object appears, disappears, floats, or morphs into another object. LIGHT: completely flat, soft, even frontal light on her for the entire take, matching the shadowless drawing. No light source ever switches on or off, no rim light, no directional shadow anywhere on her body or clothing, and no shadow cast on the paper beside or beneath her. Neutral white balance throughout. Natural skin texture and pores retained. Exactly one woman appears; no other real person ever enters. No subtitles, no on-screen text, no logo, no watermark throughout. No background music — keep only diegetic and ambient sound: light footsteps on soft ground, the quiet swish of fabric, one soft swallow at the sip, faint distant birds. No cuts, no transitions, no slow motion, no speed ramping.