How to make this?

믹스드미디어 광고

파란 펜으로 그린 세계가 옆으로 흐르고, 그 위를 실제 사람이 캔을 들고 걸어갑니다. 컷 없이 15초를 한 번에 갔습니다. 실사와 손그림을 한 화면에 두면서 서로 섞이지 않게 하는 것이 이 작업의 전부였습니다.

Seedance 2.5 광고 손그림 합성

따라 만들기

최종본0:15

Seedance 2.5모델명

1클립

5References

1생성 결과

발행일 2026년 8월 29일

작품 소개 · 설계 선택

제작기

파란 펜 한 자루로 그린 종이 세계가 옆으로 흐르고, 그 위를 실제 사람이 캔을 들고 걸어갑니다. 한 번에 뽑은 15초 원테이크입니다. 컷이 하나도 없습니다. 평평한 종이 위에 하드컷을 넣으면 종이가 갈라지는 것처럼 보여서, 카메라가 인물과 같은 속도로 옆을 따라가는 한 호흡으로 갔습니다. 그러면 그림이 계속 흐르면서 새로운 것이 프레임 안으로 들어옵니다. 자전거가 앞질러 가고, 연이 위로 뻗고, 강아지 두 마리가 뛰어오고, 마지막엔 새 세 마리가 날아오릅니다. 3초마다 성격이 다른 사건 하나씩입니다. 같은 종류 움직임만 반복되면 배경이 벽지가 되니까요. 레퍼런스는 두 장만 썼습니다. 첫 프레임 한 장과 인물 캐릭터 시트 한 장입니다. 이 둘의 역할 선언이 정반대인 것이 이 작업의 핵심입니다. 첫 프레임에는 배경을 쓰라고 했고, 캐릭터 시트에는 배경을 쓰지 말라고 했습니다. 습관대로 둘 다 배경을 빼면 장면이 통째로 사라집니다. 배경을 통째로 상상하게 두지 않고, 완성된 정지 화면 한 장을 먼저 조립해 첫 프레임으로 물렸습니다. 그러면 모델이 할 일이 합성에서 있는 그림 움직이기로 바뀝니다. 색은 하나만 썼습니다. 화면에 이미 코발트 블루와 오프화이트가 있어서 채도 있는 색은 코랄 하나만 더 넣고, 립과 캔과 신발 세 점에 나눠 찍었습니다. 캔을 종이와 같은 오프화이트로 두지 않은 것도 같은 이유입니다. 영상에서 캔은 화면의 5퍼센트 남짓이라 색면만 읽히거든요. 가장 신경 쓴 것은 실사와 그림이 절대 섞이지 않게 하는 일이었습니다. 그림은 두께가 없는 평면이고, 사람은 그 앞에 서 있고, 그림은 사람 위를 지나가지 않습니다.

따라 만들기

단계 4개 · 레퍼런스 5장

따라 만들기

각 단계의 프롬프트를 복사해 이미지를 만들고, 이미지마다 붙은 @Image 번호 순서 그대로 업로드하면 마지막 영상 프롬프트의 번호가 정확히 맞습니다.

Step 1

캐릭터 · 이미지 2장

이 단계에서 할 일

프롬프트를 복사해 이미지 생성 도구에 붙여 넣으세요
「내 것으로 바꾸기」가 붙은 이미지는 내 사진이나 내 제품을 함께 올려 만드세요
만든 이미지는 @Image 번호대로 저장해 두세요 — 영상 단계에서 그 순서로 올립니다

인물 캐릭터 시트

이 자리에 내 사진이나 내 제품을 넣어 만드세요

2번째로 업로드하면 프롬프트의 @Image 2이 됩니다

생성 프롬프트 · 3243자

A single character reference sheet image on one clean white seamless studio backdrop, laid out as five panels in one horizontal row, separated by clean white space.

Panels 1 to 4 are the same woman standing full-body in a turnaround: FRONT, THREE-QUARTER, SIDE PROFILE, BACK. Same person, same outfit, same relaxed neutral standing posture in every view, arms hanging naturally at her sides, feet together, weight even.

Panel 5 is a large front-facing face close-up with a warm easy closed-lip smile, rendered sharp and high-resolution so the hair styling, makeup and jewellery read clearly at full size.

PROPORTIONS: realistic adult human proportions — the natural build of a real person as captured by a fashion photographer, roughly seven and a half heads tall. Do not stylize, elongate or lengthen the legs, neck or torso. The anatomy must read as a genuine photograph, never as an illustration or a fashion croquis. Each panel still shows her complete figure from the crown of her hair down to the soles of her sneakers, without squashing or compressing her to fit inside the panel.

HAIR: black chin-length bob with wispy see-through bangs, matte natural texture with no product shine, ends flicking slightly outward, tucked behind one ear on her left side. The BACK panel shows the blunt nape and the natural fall of the bob from behind.

MAKEUP: clean semi-matte skin with visible natural texture, softly defined natural brows, mascara only with no eyeliner, a barely-there coral flush on the cheeks, and a semi-matte coral lip.

OUTFIT: an off-white washed-linen oversized shirt with a relaxed shoulder and crisp collar, top two buttons undone, sleeves rolled twice to the forearm, front hem tucked in at the waist only. A sand-beige satin wide-pleat midi skirt with generously spaced knife pleats, hitting mid-calf, the satin catching a soft low sheen against the matte linen above. A slim tan leather belt with a small plain gold buckle at the waist. White ribbed crew socks. Grapefruit-coral canvas low-top sneakers with white laces and white rubber soles.

JEWELLERY: small thin gold hoop earrings, one fine short gold chain necklace sitting at the base of the throat, and two slim gold bangles on her left wrist. Nothing else — no bag, no rings, no watch, no hair accessory.

The coral sneakers and the coral lip are the only saturated colour on her; the gold jewellery reads as a warm metallic accent, not as colour.

The attached photo supplies facial identity only — her eye shape, nose, mouth, skin tone and texture, and hair colour and texture. Reproduce that exact face without beautifying, smoothing, slimming or altering any feature. Do not carry over the photo's camera angle, its head-and-shoulders framing, its flat expression, or its lighting. All five panels follow the neutral editorial staging described above.

Clean even studio lighting like a fashion lookbook turnaround, no directional shadow anywhere. True fabric colour and garment weight, visible linen slub and satin drape, natural skin texture and pores retained, individual hair strands separated. Photorealistic, ultra-detailed.

The image contains no text of any kind — no panel labels, no view names, no captions, no numbers, no logo, no watermark.

얼굴 정체성 초상

이 자리에 내 사진이나 내 제품을 넣어 만드세요

생성 프롬프트 · 30자

확인 불가 (다른 작업에서 만들어진 기존 초상화 자산)

Step 2

낙서 배경판

이 단계에서 할 일

프롬프트를 복사해 이미지 생성 도구에 붙여 넣으세요
만든 이미지는 @Image 번호대로 저장해 두세요 — 영상 단계에서 그 순서로 올립니다

낙서 배경판

생성 프롬프트 · 972자

A hand-drawn illustration on a flat off-white paper ground, drawn entirely in one cobalt blue ink pen with living stroke pressure — each line tapers thin at its start, swells through the middle and lifts off to a fine point, the way a fountain pen moves. Confident single-stroke drawing with graceful curves and no sketchy repetition. A softly undulating horizon line runs across the lower third. Three outlined clouds of clearly different sizes drift in the upper area, drawn with rounded scalloped edges. Along the horizon, four small simplified figures with balanced proportions do quiet everyday things: one pedalling a bicycle with a basket, one riding a scooter, one tipping a cup to drink, one walking a small dog. Pure outline, unshaded and flat with no perspective. Few elements, each drawn large and well spaced, with generous empty paper across the middle of the frame. Even flat lighting. --no photograph, text, letters, watermark --ar 16:9 --v 8.2 --s 90 --hd

Step 3

효과 · 이미지 2장

이 단계에서 할 일

프롬프트를 복사해 이미지 생성 도구에 붙여 넣으세요
만든 이미지는 @Image 번호대로 저장해 두세요 — 영상 단계에서 그 순서로 올립니다

스타트 프레임

1번째로 업로드하면 프롬프트의 @Image 1이 됩니다

이 이미지의 레시피

생성 프롬프트 · 3655자

Compose a single finished advertising frame from the three attached images.

is the woman's character sheet. is the drawn background. is the product can.

BACKGROUND — . Preserve it exactly as it is: the same off-white paper ground with its visible paper tooth, the same cobalt blue pen drawing with identical line weight and stroke pressure, the same three clouds in the same positions and sizes, the same undulating horizon line following the same curve, and the same small drawn figures — the cyclist, the scooter rider, the drinking figure, the walking man and the two dogs — all exactly where they already are. Do not redraw, restyle, resize, rearrange, add to or remove anything from this drawing.

THE WOMAN — supplies her facial identity, hair, makeup, outfit and accessories exactly as shown. Ignore the direction her body faces in that sheet entirely; it defines her look, not her heading in this scene.

SHE WALKS TO THE RIGHT. Her whole body travels toward the right edge of the frame, heading the same way as the drawn cyclist and the drawn walking man. Her chest points right. Her hips point right. Her toes point right. Her leading foot — the forward one, flat on the ground — is the foot nearer the right edge of the image, and her trailing foot is behind her toward the left edge with its heel lifted off the ground. The empty space she is walking into lies to her right; the space she has already crossed lies behind her on the left. She is not walking left. She is not facing left. Nothing about her is mirrored.

Her face turns back over her shoulder toward the camera with a warm, easy, open smile, so we see her expression while her body continues to the right. The arm nearest the camera is raised to about shoulder height, presenting the coral can upright and lightly without gripping hard, with two slim gold bangles visible at that wrist. Her other arm swings low and relaxed behind her. The satin pleats of her skirt fan open with the stride and trail slightly to the left, the way fabric lags behind forward motion.

THE CAN — , matching exactly: matte coral body, off-white line drawings of clouds and a horizon and a small seated figure, off-white ring at the base, brushed silver top, no text anywhere.

LAYERS — she is a real photographic person standing IN FRONT of a flat drawing. She is never drawn, stylized, outlined, sketched or converted into line art, and the blue drawing never passes over, in front of, or across her body. Where she overlaps a drawn element, she simply covers it.

PLACEMENT — she stands in the open stretch of the horizon between the scooter rider and the small drinking figure, slightly left of centre, with the soles of her sneakers resting on the drawn horizon line. Her full standing height is about fifty-five percent of the image height, so her head sits well below the top edge and the clouds pass behind her.

LIGHT — completely flat and even on her, matching the shadowless drawing. No directional light, no rim light, no shadow cast onto the paper beneath or beside her. The faint paper grain of the background reads very softly across her as well, so she sits in the same surface rather than looking pasted on. Neutral white balance, natural skin texture and pores retained, individual hair strands separated, true linen slub and satin drape.

Final check before rendering: her forward foot must be the one closer to the RIGHT edge of the image. If she is stepping toward the left edge, the image is wrong.

Photorealistic person, flat hand-drawn background, one unified image. No text of any kind, no logo, no watermark, no border.

제품 캔 3뷰

생성 프롬프트 · 1200자

A product reference sheet of one slim aluminium beverage can on a clean white seamless studio backdrop, shown as three views in a single horizontal row — front, three-quarter, and back — separated by clean white space.

The can body is a solid matte grapefruit-coral. Printed across it in clean off-white are simple hand-drawn line illustrations in a confident felt-tip style with living stroke pressure: one softly undulating horizon line wrapping around the middle of the can, two rounded outlined clouds floating above it, and one tiny simplified figure sitting on the horizon tipping a can to drink. Generous empty coral space around the drawing. A narrow off-white ring runs around the very bottom of the can. Brushed silver pull-tab top.

The can carries no text of any kind — no lettering, no numbers, no symbols, no logo. A plain unbranded can ready for artwork to be added later.

Commercial product photography, matte finish with no glossy highlights, soft even studio lighting, a gentle true contact shadow directly under each can, crisp aluminium form and the fine rolled ridge at the rim. Photorealistic, ultra-detailed. The image contains no text — no labels, no captions, no watermark.

Step 4

편집 마무리

최종본 (파란 낙서 세계 음료 광고)

생성 프롬프트 · 5416자

is the first frame. It defines the opening composition, the woman's position and pose, the coral can in her hand, the flat off-white paper ground, the cobalt blue pen drawing and its placement, the palette, and the camera framing. Use its background — it IS the scene. Preserve its flat shadowless light.

defines the same one woman's facial identity, hair, makeup, outfit and accessories from additional angles so she stays consistent as her body turns. It shows ONE person repeated across panels — exactly one woman appears in this video. Do not reproduce its panel layout, its white studio background, its neutral standing pose, or its lighting. Do not add a second person.

FORMAT: one single continuous take, 15 seconds, no cuts and no transitions of any kind. A continuous lateral tracking shot from the first frame to the last.

SUMMARY: a woman walks steadily from left to right through a flat off-white paper world drawn in cobalt blue pen, presenting and drinking from a coral can, while the drawn world slides past her and new small drawn events keep entering the frame.

0-3 seconds: She walks at an easy steady pace, the can held low at her side, her expression relaxed and open. A drawn cyclist overtakes her from behind and slides off the left edge. Two drawn clouds pass overhead.

3-6 seconds: Still walking without breaking stride, she raises the can to shoulder height and turns her upper body slightly toward the lens, presenting it lightly on an open palm and fingers rather than gripping it. A drawn child flying a kite enters from the right edge, the kite string running up out of the top of the frame.

6-9 seconds: Still walking, she brings the can to her lips, tips her chin up a little and takes one swallow, her eyes narrowing briefly. At the exact same moment a drawn figure entering from the right raises a drawn can and drinks in time with her.

9-12 seconds: She lowers the can back to chest height, releases a warm open smile toward the lens, her shoulders loosening. Two small drawn dogs run in from the right along the horizon line, overtake her, and continue off the left edge.

12-15 seconds: She turns her gaze forward again and keeps walking. The drawn horizon rises into a gentle hill beneath her feet and three drawn birds lift off it into the upper frame. The camera eases back very slowly, opening empty paper around her.

LAYER LAW — this governs every frame. The woman is a real photographic person walking IN FRONT of a flat two-dimensional drawing. She is never drawn, outlined, sketched, stylized or converted into line art, not even partially. The blue drawing has zero depth: no perspective, no cast shadow, no texture, no lighting response, no thickness. It never passes over, in front of, or across her body — where she overlaps a drawn element she simply covers it. She casts no shadow onto the paper. She is not standing in a room and the paper is not a wall.

CAMERA AND SPACE: the camera tracks laterally to the right at exactly her walking speed for the whole take. She stays centred in frame and her on-screen size never changes until the slow ease-back in the final three seconds. The drawn world slides from right to left as a single flat plane — every drawn element travels at the identical speed because there is no depth between them. The clouds may drift a little on their own within that plane, the way a drawn animation moves, but this is never parallax and never depth. No zoom, no push-in, no tilt, no handheld shake, no rotation.

CONTINUING THE DRAWING: as the world scrolls, new drawn elements enter from the right edge. Every one of them is made with the identical cobalt blue ink, the identical stroke weight and living pen pressure, pure outline only — never filled, never coloured, never shaded, never given perspective — sitting on the same off-white paper with the same visible tooth. The horizon line continues unbroken across the whole take and never changes colour or thickness.

PHYSICS: her heel lands first on every step in strict left-right alternation with one foot always on the ground. The soles of her sneakers stay in contact with the drawn horizon line, and that line slides beneath her feet at exactly her travelling speed, so she is genuinely moving through the world and never treadmilling in place. Her satin pleats swing open and lag behind each stride. Her linen sleeves shift softly. The can has real weight, stays upright in her hand, and is already open.

OBJECT LOCK: exactly one can exists in the entire video and it never leaves her hand. Her other hand stays empty and swings naturally. No object appears, disappears, floats, or morphs into another object.

LIGHT: completely flat, soft, even frontal light on her for the entire take, matching the shadowless drawing. No light source ever switches on or off, no rim light, no directional shadow anywhere on her body or clothing, and no shadow cast on the paper beside or beneath her. Neutral white balance throughout. Natural skin texture and pores retained.

Exactly one woman appears; no other real person ever enters. No subtitles, no on-screen text, no logo, no watermark throughout. No background music — keep only diegetic and ambient sound: light footsteps on soft ground, the quiet swish of fabric, one soft swallow at the sip, faint distant birds. No cuts, no transitions, no slow motion, no speed ramping.

발행일 순서

다른 작품

이전 작품시골 커플 2

다음 작품모자 제작 과정

시리즈 · 장르 · 모델

유료 패키지 · 사전 신청

더 디테일한 제작 패키지 구상 중

지금 공개된 프로젝트들보다 더 디테일한 유료 패키지를 구상하는 중입니다. 이메일을 남겨 주시면 출시 후 가장 먼저 알려드릴게요.

믹스드미디어 광고 · How to make this?