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생성 프롬프트 · 9506자
defines SEOYUN only: her face, chin-length straight auburn-brown bob, tall long-legged proportions, her soft-glam makeup and her outfit — a cherry-red satin corset mini dress with a black-lace-edged sweetheart neckline, thin black straps, small cut-outs at both sides of the waist, a wide flared layered chiffon skirt with a black lace hem, black ribbon lacing down the back, a thin silver chain choker, and black leather low block-heel ankle boots. Use her face and outfit only; the sheet's grey background, multi-view layout, standing pose and close-up framing stay out of the film. defines the LOCATION: the inside of a large, roomy brushed stainless-steel passenger elevator car in a Korean officetel at night, wide and deep with plenty of open floor and a high ceiling — steel wall panels, slim steel handrails, closed centre-opening steel doors in the far wall, a tall steel button panel just to the right of the doors with two columns of round floor buttons and a red stop button at waist height, a ceiling of flat white LED panels with a square steel maintenance hatch in the middle, a grey terrazzo floor. Geometry, materials and light only; the film populates it. If text and a reference disagree, the reference wins. LOOK: raw real handheld footage — natural exposure, real lens perspective, real skin and fabric, natural motion blur, ungraded natural colour, everything physically real. Her fire is real flame with real heat shimmer and smoke. Multi-shot sequence, 30 seconds, sixteen timed shots, hard cuts, every shot starts mid-action. Normal speed throughout. CAST — exactly these four people, all inside the elevator from the first frame: SEOYUN () and three drunk Korean office workers in their thirties, each with a clearly different face and build, each wearing the same clothes in every shot. The LEADER: slicked-back black hair, a PINK dress shirt with the sleeves rolled up and a loosened navy tie, grey suit trousers, a black smartphone in his hand. GLASSES: thin, black-rimmed glasses, a beige trench coat over a white shirt. BIG GUY: tall and heavy, buzz cut, a black padded jacket. POSITIONS: SEOYUN stands in the front corner right beside the button panel, her back to that corner, within arm's reach of the red buttons. The three men face her: the LEADER closest to her, GLASSES and BIG GUY just behind him. SEOYUN'S CHARACTER: her curiosity outruns her fear — when someone humiliates her she studies them up close and says the one thing that will sting; once she turns she is deliberate and predatory, utterly still between attacks, with a light, amused smile. THE MEN: drunk, cocky, cruel for fun, then pure terror. INFECTED SEOYUN FACE (spreading during 9.0–12.5s, held until 20.5s): glowing orange-red veins like cracks of lava under her skin from the left side of her neck across her jaw and both cheeks; both eyes completely charcoal-black with a faint ember glow deep inside; skin pale grey. From 20.5s her face is her own natural face again. FIRE TENTACLE ARMS (from 11.0s until they retract at 27.5s): from the elbow down, each forearm has split into four thick ropes of real flame that move like muscular tentacles, reach across the whole car and grip and pull with real weight. FIRE BREATH CYCLE: one sharp inhale, her throat glows orange through the skin, her mouth opens and a jet of real roaring flame pours out; then smoke curls from her lips. ACTION RULE: every move snaps to full force instantly; each shot shows who acts, on whom and how far apart first, then real contact. 0.0–1.0s — Wide: the LEADER in his pink shirt crouched in front of SEOYUN in her corner, holding his phone low at her legs and filming, GLASSES and BIG GUY laughing behind him. 1.0–3.5s — Straight onto SEOYUN from where the LEADER crouches: her whole body from head to boots fills the frame, long legs, red corset dress and flared skirt shown clearly. The phone shutter clicks, click-click-click, as the shot begins, and the LEADER's voice, off-screen, says in Korean: {와, 다리 봐라. 이거 올려도 되냐?} 3.5–5.5s — Over the LEADER's right shoulder onto SEOYUN, half a metre apart. She leans down, looks at his phone screen with open interest and says flatly in Korean: {각도가 왜 이래? 너 여자 처음 찍어 봐?} The LEADER's grin freezes. 5.5–7.5s — GLASSES shoves past the LEADER and steps right up to SEOYUN, his face fully visible, the LEADER's lips closed behind him. GLASSES barks in Korean: {야, 어디 형님한테. 미쳤나?} and in the same motion grabs the side of her head and slams it with full force into the steel corner beside the button panel; the steel booms and she sags into the corner. 7.5–9.0s — Close-up of the lower button panel at waist height, SEOYUN's red skirt at the edge of frame: her bag drops to the floor, and her hand nearest the panel lifts and presses the red stop button firmly with two straight fingertips. The car jolts to a halt with a thud, the white ceiling lights cut out and only a dim red emergency light remains. 9.0–12.5s — Over the LEADER's shoulder, his phone in the foreground filming her in the red light: orange veins crack out from her neck across her jaw, her eyes flood charcoal-black, her skin pales grey, her shoulders jerk twice and both forearms split from the elbow into ropes of flame. He lowers the phone, face slack, and says in Korean, mouth fully visible: {야, 뭐야 이거.} 12.5–15.5s — Wide from the back corner, all four people in frame: SEOYUN in her corner, the LEADER and GLASSES pressed back against the side wall, BIG GUY is at the doors prying them apart. A burning tentacle wraps BIG GUY's waist and flings him straight up head-first into the hatch in the middle of the ceiling; the thin panel tears open into a jagged hole just wide enough for his head, his head punches through it up to the neck and sticks there, and his whole body from the shoulders down hangs limp below the ceiling inside the car, legs dangling. In the same shot blood runs down his arm and drips steadily from his hanging fingertips onto the terrazzo floor, a dark pool spreading. The LEADER and GLASSES stay pressed to the side wall, staring up. 15.5–16.5s — Close-up on top of the elevator car in the dark shaft, camera low and level with the flat steel roof of the car: only BIG GUY's head sticks up out of a small jagged hole torn in the roof, the torn steel teeth clamped tight around his neck. His eyes are wide open and frozen, blood trickles from the torn edge down the steel, and red light glows up through the cracks around his neck. 16.5–17.3s — GLASSES runs for the doors; a burning tentacle whips around his neck and cinches. 17.3–18.5s — Insert from the side at neck height, camera locked, his head and shoulders in profile filling the frame: the burning tentacle cuts clean through his neck; his head tips and drops off his shoulders, and the cut surface of the neck is clearly visible, charred black with glowing embers, while his headless body stays standing for a beat and his glasses fall to the floor. 18.5–20.5s — Side view at floor level, a couple of metres away. SEOYUN stands facing away from his feet; a tentacle slams the LEADER flat on his back on the floor, his head between her boots, his body stretching out behind her, his face pointing at the ceiling. He looks up at her and cries in Korean: {지울게요, 지울게요!} 20.5–21.8s — Low front view from the floor beyond the top of his head, looking at SEOYUN head-on. She squats straight down over his face, her back toward his feet, knees spread wide with her thighs about 80 degrees apart, so her crotch hangs about 25 centimetres above his upturned face and anyone can see straight up her skirt to her black lace panties. Her own natural face, normal eyes and skin. 21.8–23.0s — The LEADER's point of view, looking straight up from the floor: the frame is filled only by her black lace panties inside the red skirt and the bare inner thighs around them, about 25 centimetres away. Her voice comes softly from above, in Korean: {실컷 봐.} 23.0–25.0s — High three-quarter wide from the side: SEOYUN stands up, turns around to face down the length of his body, takes two steps back past the top of his head, and the fire breath cycle pours a roaring jet of flame along his whole body, head to feet; the frame holds her, his full body and the flame together. 25.0–27.5s — Close on the LEADER on the floor under the flame: his whole body melts — skin and flesh slide off like hot wax, the pink shirt burns away, until only a blackened, smoking skeleton is left on the floor. 27.5–30.0s — Medium shot of SEOYUN from the waist up in the red light, smoke drifting past: the flames at her elbows draw back into her forearms and go out like a fever breaking, leaving her ordinary arms; real skin, the change happening naturally in the flesh itself. She picks up her bag, sweeps her hair back and presses the panel; the white lights come back on and the car starts moving with a hum and a ding. SOUND: speech happens only in the shots that carry a quoted line. Only diegetic sound — phone shutter clicks, the elevator hum, drunk laughter, her head booming against steel, the alarm beep, crackling embers, tearing steel, dripping blood, roaring flame, sizzling and dripping, the ding. Dialogue language: Korean only. Spoken lines are only the quoted lines above, in that order, one voice at a time, each spoken by the named character. Clean picture showing only the scene, free of subtitles, text, logos and watermarks. Audio: dialogue and diegetic sound effects only, no background music.