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생성 프롬프트 · 7599자
Use as the woman's exact face, eyes, hair and identity, and as the man's exact face, eyes, hair and identity. Two different people, both faces unchanged throughout. Do not use the white studio background from either reference — only faces, hair and outfits. Once dressed, neither outfit changes. Woman, exactly as in : black hair low at the nape with a cream scrunchie, cream cable-knit vest over a white puff-sleeve blouse, sage-green linen pleated midi skirt, cream knit socks, brown suede Mary Janes, cream shoulder bag with red trim. Man, exactly as in : black hair, grey ribbed tank top, tan military-webbing backpack, wide brown pleated trousers, steel watch, brown suede boots. IMPORTANT: he sleeps and wakes bare-chested with no shirt on at all — the tank top only exists from the moment he pulls it on at 3 seconds. Japanese only. Five lines are inner voice-over: lips stay closed and still, no mouth moves anywhere in frame. Two lines are spoken out loud with visible lip movement, and in those only the speaker's mouth moves while the other's lips stay closed. Voices soft, young and natural, never theatrical. STYLE: Warm Japanese summer film-photograph look on real countryside locations. Strong sunlight, blown highlights, deep shadows, film grain, gentle halation, handheld drift. Candid and slightly imperfect throughout. No timestamp, date stamp, UI, subtitles, text or watermark. Setting: A quiet Japanese farming village in high summer. Her small wooden room with paper screens and a white basin; his bare room with a floor mattress and a sunlit yard with an outdoor tap and a steel bar; dirt roads between flooded rice paddies; an empty rural bus; an old bicycle; a tiny village shop with a humming ice-cream freezer; a raised path between paddies; a low concrete bridge over a shallow stream; the worn stone steps of an old shrine looking down over the village. Cicadas everywhere. No readable writing anywhere. Sound: A quiet acoustic guitar runs low under the whole film without stopping. Loud cicadas, birds, wind through rice, running water, a bicycle chain, a bus engine, a freezer humming, and long stretches with no talking. 0–1.5 sec — WAKING UP Cut A: the woman lies under a thin summer quilt, morning light striped across the tatami, and opens only her eyes. Cut B: the man sits bolt upright on a floor mattress, bare-chested and shirtless, hair sticking out everywhere, a fan turning beside him. 1.5–3 sec — WASHING Cut A: she leans over a small white basin and works foam carefully around her jaw. Cut B: still shirtless, he shoves his head under an outdoor tap, water sheeting off his back, and throws his head back once. 3–4.5 sec — DRESSING Cut A: she pulls the cream knit vest down over her head and straightens the hem. Cut B: he pulls the grey tank top down over his bare chest in one hard motion and rolls his shoulders. 4.5–6 sec — HERS AND HIS Cut A: close-up, she taps soft pink onto her cheek with one fingertip, twice, and checks it. Cut B: he hangs from a steel bar in the yard and pulls himself up twice, cicadas loud. 6–7.5 sec — HAIR Cut A: she gathers her hair low and winds the cream scrunchie, strands falling loose at her temples. Cut B: he shakes the water out of his hair and drags a hand through it once. Done. 7.5–9 sec — SHOES Cut A: she pulls a knit sock up her calf and fastens a Mary Jane strap. Cut B: he stamps into a boot and knocks the toe twice on the doorframe. 9–10.5 sec — HER BAG She lifts the cream bag onto her shoulder and pauses in the doorway light, squinting up at the white sky. INNER VOICE-OVER — lips closed and still, mouth does not move: 「今日、暑いかな。」 10.5–12 sec — HIS BAG He swings the backpack onto one shoulder and grips the doorframe, thinking about one thing only. INNER VOICE-OVER — lips closed and still, mouth does not move: 「お腹すいた。」 12–13.5 sec — TRAVELLING Cut A: she sits alone by the window of an empty rural bus, green paddies sliding past. Cut B: he stands on the pedals of an old bicycle on a dirt road, chain ticking, backpack bouncing. 13.5–15 sec — MEETING Wide two-shot at a small roadside bus stop: the doors fold open, she steps down, he brakes and puts a foot on the ground. SPOKEN OUT LOUD, her mouth moving while his lips stay closed: 「来たね。」 Reverse angle, his mouth moving while her lips stay closed, asking it before anything else: 「ごはん食べた?」 She does not answer. Cut. 15–19 sec — THE SHOP A tiny village shop with a humming freezer by the door. Rapid cuts: the heavy lid lifting and cold white fog rolling over the metal rim into the hot air, the two of them leaning over it side by side with their faces lit pale from below, ice bars upright in thick frost, her hand going in among the frost. INNER VOICE-OVER, hers, lips closed and still while she keeps looking down into the cold: 「涼しい。」 Close-up: he holds an ice bar out and she takes it from his fingers, their hands touching for a moment. 19–23 sec — THE RICE PATH Rapid cuts: their four feet on a narrow raised earth path, her Mary Janes and his boots side by side; a two-shot as he wheels the bicycle along on his far side, both wheels turning on the dirt; her sage skirt lifting at the hem in the wind, flooded paddies mirroring the sky on both sides; green rice moving in slow waves past the lens; a low wide shot from behind, the two of them and the bicycle small against an enormous sky, both eating, neither talking. 23–26 sec — THE BRIDGE Rapid cuts: the bicycle leant on a low concrete rail, one pedal still turning; the two of them side by side with forearms on the warm rail, looking down at water running fast over pale stones; a tight insert of the stream breaking around a rock; her loose strands lifting in the cool air off the water. 26–30 sec — THE SHRINE STEPS They sit side by side on worn stone steps under a huge old tree, the village small below them, both looking straight ahead and never at each other, finishing the ice bars as the light turns deep orange. Rapid cuts: two bare wooden sticks, her hand flat on the warm stone, both faces in profile lit from the side. INNER VOICE-OVER, hers, lips closed and still: 「悪くない。」 Same steps, same blank forward stare, his lips closed and still: 「お腹すいた。」 Neither says a word out loud. Only cicadas. HARD CUT TO BLACK. Acting keywords: waking with only the eyes, sitting up shirtless, careful washing, head under the tap, pulling a knit vest over the head, pulling a tank top onto a bare chest, tapping blush on a cheek, pull-ups on a yard bar, winding a scrunchie, shaking water out of hair, fastening a shoe strap, knocking a boot toe, shouldering a bag, squinting at the sky, inner thoughts with a closed mouth, riding a bus alone, standing on bicycle pedals, meeting at a bus stop, asking about food first, no answer, leaning into a cold freezer, handing over an ice bar, hands touching, wheeling a bicycle along a rice path, forearms on a bridge rail, sitting side by side on stone steps, hard cut. Negative: no subtitles, no text, no readable writing anywhere, no face swap between the two people, the two faces never blend or exchange features, each keeps their own face and outfit in every shot, no shirt on the man before 3 seconds, no costume change after dressing, no extra people, no extra limbs, no extra fingers, no morphing, no frozen frame, no lip movement during the inner voice-over lines, the listener's lips stay closed while the other speaks, no crying, no kissing, no hugging, no other locations, no white studio background, no HDR, no glossy modern finish, no timestamp, no UI, hard cut no fade.