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프로젝트 / 아웅다웅 2화 · 2026년 10월 9일

아웅다웅 2화

남자친구가 대충 찍어 준 사진에 누나가 발끈합니다. 지금 진짜 잘생겼다는 말에 운동기구 위에서 멈춘 그는 턱 아래에서 한 장을 찍힙니다. 그날 저녁, 그 사진이 누나의 잠금화면이 됩니다.

레퍼런스 순서표
Seedance 2.5모델명
30총 길이, 초
2클립
4References
1생성 결과

발행일 2026년 10월 9일

제작기

사진 한 장으로 되갚는 이야기입니다. 남자친구가 대충 찍어 준 사진에 누나가 발끈하고, 곧 칭찬 한마디로 그를 운동기구 위에 멈춰 세운 뒤 턱 아래에서 한 장을 찍습니다. 그 사진은 그날 저녁 누나의 잠금화면이 됩니다. 1화와 같은 공원, 같은 두 사람입니다. 여자 캐릭터 시트와 남자 캐릭터 시트, 공원 사진 세 장을 그대로 이어 써서 얼굴과 옷, 장소가 한 시리즈로 이어지게 했습니다. 네 번째 레퍼런스는 새로 만든 잠금화면 이미지입니다. 운동기구 손잡이를 쥔 남자친구를 아래에서 올려다본 사진 위에 9시 47분과 메시지 알림 한 줄이 떠 있습니다. 흐름은 벚꽃 아래에서 시작해 점프컷 한 번으로 운동기구 앞으로 넘어갑니다. 누나는 지금 진짜 잘생겼다는 말로 그를 멈춰 세우고, 쪼그려 앉아 낮은 각도를 잡습니다. 남자친구는 우쭐하다가 그 각도가 맞느냐고 묻고, 사진을 보자마자 지워 달라고 매달립니다. 대사는 아홉 줄이고, 말이 있는 컷은 첫 프레임부터 말하게 적어 빈틈 없이 이었습니다. 도망치는 누나를 남자친구가 쫓는 장면만 슬로모션으로 두고, 음악 없이 공원 소리만 남겼습니다. 이번 편에서는 두 사람 다 음료를 들지 않게 해서 손에 남는 소품이 폰 하나뿐이도록 했습니다. 마지막 컷은 저녁의 방입니다. 테이블 위 폰이 알림에 켜지며 새 잠금화면이 드러납니다. 화면 속 시각과 알림 글자는 한 글자도 틀리면 안 되어서, 폰과 카메라를 고정해 찍고 편집에서 잠금화면 이미지를 화면 위에 정확히 맞춰 끼웠습니다. 톤은 1화와 같은 뽀얀 디퓨전으로 맞췄습니다.

클립별 레시피

클립 1 / 2

2026년 10월 1일 · 16:9 · 1280×720

STYLE: Real handheld footage of a real couple on a spring afternoon, natural soft daylight under thin high clouds, clean natural color and true skin tones — butter yellow, olive camouflage, denim blue, cherry-blossom pink, fresh spring green. Gentle breathing handheld sway, like a Korean indie short film. No subtitles, no on-screen text, no logo, no watermark. Absolutely no music, score or background music anywhere in the video, including the slow-motion shot — only diegetic sound that really exists in the scene.

Use  as the woman's exact face, hair, body and outfit, unchanged throughout. Ignore its white studio background, the sheet layout and the face inset — only her face, hair and outfit.

Use  as the man's exact face, hair, piercings, tattoos, body and outfit, unchanged throughout. Ignore its white studio background, the sheet layout and the face inset — only his face, hair and outfit.

Use  as the exact park — the cherry trees, the red-brown rubber path, the green bench, the yellow outdoor exercise machines, the lawn, the octagonal pavilion and the white apartment blocks beyond. Every shot until 26.0 sec is in this one park. Do not build a new place or add to it. A few distant strangers walk far in the background.

Use  only as the picture that lights up on her phone screen in the final shot — the lock screen exactly as shown. It never appears anywhere else.

Exactly two named people appear: the woman and the man, a couple; she is a little older and he calls her 누나. Her look never changes: butter-yellow cardigan buttoned below the V-neck, cream tank, cream lace midi skirt over wide blue jeans, brown Mary Janes, brown canvas shoulder bag with the red cherry charm on her LEFT shoulder, small colored cherry tattoo on her right collarbone, bare eyes, no eyewear, no hat. His look never changes: camouflage T-shirt over a red T-shirt, fully tucked into low wide blue jeans with the black eyelet belt, black lace-up shoes, silver chain, eyebrow barbell, cheek stud, clock tattoo on the left side of his neck, bare eyes, no eyewear, no hat. Neither of them carries a drink. Her phone is the only prop.

HER CHARACTER: she sulks out loud but can never stay angry; when she is plotting, she bites back a grin. When she is amused she breaks into a soft, pretty giggle and lifts her fingertips toward her lips. No cuteness, no pouting for effect — she teases him like the older one.
HIS CHARACTER: he looks tough and tattooed but around her he is a puppy — cocky and easily flattered, then instantly pleading.

Korean dialogue only, every word spoken in natural, conversational Seoul Korean; no other language at any point. Only the speaker's mouth moves; the listener's lips stay closed.
Her voice: clear, slightly high, fast, clipped sentence endings; she drops it low and flat when she is serious.
His voice: soft low baritone with a slight husk, relaxed tempo, a smile audible at the ends of his lines.
There are exactly nine quoted lines, below, in this order, one voice at a time. Nothing else in these directions is ever spoken aloud. In every shot with a line, the line starts on the first frame of that shot — no pause before it.

SCREEN GEOGRAPHY: whenever the two of them are filmed together from the front, she is on screen-LEFT and he is on screen-RIGHT. Neither of them ever looks at or speaks to the camera — every line is spoken to the other in a three-quarter view, mouth readable.

Sound: diegetic only. Park ambience — birds, leaves in a light wind, faint distant voices, his shoes on the machine's steel footplates. No music at any point. In the final shot: a quiet evening room, distant running water from a bathroom, one short phone vibration.

0–2.5 sec — THE SPOT
Handheld wide on the rubber path under the cherry trees. The two of them walk in side by side; she stops under the blossoms, turns to him and MOUTH OPENS SPEAKS OUT LOUD, holding out her phone:
「나 여기서 한 번만 찍어줘.」

2.5–5.5 sec — THE PRO
Side two-shot under the tree. She poses; he takes her phone, spreads his feet, bends his knees in an exaggerated photographer's stance and taps the shutter while MOUTH OPENS SPEAKS OUT LOUD, full of himself:
「오~케이, 내가 또 이런 거 전문이지.」

5.5–8.0 sec — THE PHOTO
Close-up of her, three-quarter. She takes the phone back and looks at the photo; her face drops flat and serious. MOUTH OPENS SPEAKS OUT LOUD, low:
「야. 나 이렇게 생겼어?」

HARD JUMP CUT at 8.0 sec to a different spot in the same park.

8.0–11.0 sec — THE BAIT
Handheld wide at the yellow outdoor exercise machines. He is standing on a yellow walking machine, swinging his legs, holding its handles. She suddenly raises her phone at him and MOUTH OPENS SPEAKS OUT LOUD, sweet:
「잠깐만, 그대로 있어 봐. 지금 진짜 잘생겼어.」

11.0–13.0 sec — FLATTERED
Close-up of him on the machine, three-quarter, looking down toward her on screen-left. He freezes, lifts his chin proudly. MOUTH OPENS SPEAKS OUT LOUD:
「오, 진짜?」

13.0–15.5 sec — THE LOW ANGLE
Close-up of her, three-quarter, crouched low on the ground, holding the phone up from below toward him, biting back a grin. MOUTH OPENS SPEAKS OUT LOUD:
「그대로 있어.」

15.5–17.5 sec — SUSPICION
Close-up of him from low beside her, chin still up, eyes sliding down toward her on screen-left, suddenly uneasy. MOUTH OPENS SPEAKS OUT LOUD:
「누나, 그 각도가 맞아?」

17.5–22.0 sec — THE DAMAGE
Medium two-shot, she on screen-left, he on screen-right. She stands and proudly turns the phone screen toward him — the screen faces him, away from the lens. He steps down off the machine, looks, and his face collapses. MOUTH OPENS SPEAKS OUT LOUD, he first, then she:
He, pleading: 「누나, 이건 진짜 안 돼. 빨리 지워.」
She snatches the phone behind her back, grinning: 「싫어. 오늘부터 내 잠금화면이야.」

22.0–26.0 sec — THE CHASE (SLOW MOTION)
Slow motion at about 40% speed for this whole shot only. Wide on the lawn toward the pavilion. She runs away laughing with the phone clutched to her chest, hair and lace skirt floating, cherry petals drifting; he chases a step behind with an arm reaching out, both of them laughing, lovely and sweet. Their laughter is heard softened and stretched over the ambience. Nobody speaks in this shot.

26.0–30.0 sec — THAT NIGHT
Normal speed. Hard cut to her room in the evening: a locked-off close-up on a small wooden bedside table under a warm lamp. Her hand in the butter-yellow cardigan sleeve sets her phone face-up on the table, screen dark, and leaves the frame. Distant running water from the bathroom. The camera and the phone stay perfectly still. After a moment the phone vibrates once and its screen lights up showing  exactly, sharp and readable, and stays lit to the end. Nobody speaks in this shot.

Acting keywords: bossy photo request, cocky photographer stance, flat serious stare, sweet bait, proud chin lift, crouched grin held back, dawning suspicion, collapsing face, phone snatched behind her back, slow-motion laughing chase, still phone waking up alone.

Negative: no subtitles, no on-screen text except the phone screen in the final shot, no logo, no watermark, no music, no score, no soundtrack. Nobody faces or talks to the camera. No third named person, no drinks, no extra phones. No change of clothes, hair or accessories. No slow motion except 22.0–26.0 sec.

References

아웅다웅

다른 작품

더 디테일한 제작 패키지 구상 중

지금 공개된 프로젝트들보다 더 디테일한 유료 패키지를 구상하는 중입니다. 이메일을 남겨 주시면 출시 후 가장 먼저 알려드릴게요.

아웅다웅 2화 · How to make this?