아웅다웅 3화

@861c911c-cb1a-4afe-8872-bfc6b4795a0b defines the woman's exact identity, hair, body, tattoos, jewelry, outfit and crossbody bag. Ignore the white background, sheet panels and inset. Present from the opening frame.

@c0a243b2-9638-4ed1-a6e0-f0f4753b56a9 defines the man's exact identity, hair, body, piercings, tattoos and outfit. Ignore the white background, sheet panels and inset. Hood down; present from the opening frame.

@30e66e3b-19ff-4faf-9ccf-4e1302efa3fc defines the bench, wall, paving, trees, lane geometry and daylight, not the camera viewpoint. Stay in this same location. ADDED: the couple, localized miniature weather, and exactly three other walking couples in the final shot. Preserve the reference architecture.

LOOK AND PERFORMANCE

Live-action Korean couple scene in soft afternoon sunlight. Natural skin, fabric, water and airborne moisture; restrained contrast and slight handheld breathing. The surrounding lane stays sunny. No subtitles, text, logos or watermark. No music or score; diegetic sound only. Normal speed throughout.

HER CHARACTER: familiar older-girlfriend teasing, not performed cuteness. Here she stays withdrawn until he listens; her shoulders and eyes soften when she leans on him.

HIS CHARACTER: tough-looking but a puppy around her, cocky and easily flattered. His confident attempts become puzzled frustration; then he stops solving and quietly listens.

Her voice: clear, slightly high, fast, clipped sentence endings; she drops it low and flat when she is serious.

His voice: soft low baritone with a slight husk, relaxed tempo, a smile audible at the ends of his lines.

GEOGRAPHY AND CONTINUITY

Camera remains on the lane side of the bench until the final establishing cut. In frontal views she is screen-left and he is screen-right. She sits; he stands beside the right end, torso and feet angled toward her and the cloud. When seated beside her, he occupies screen-right, with his anatomical RIGHT shoulder nearest her. She leans on that shoulder and links her right arm with his right forearm. Keep this anatomy consistent. Nobody addresses or looks into the lens. Speaking mouths remain readable in three-quarter views.

Her bag stays closed. Keep both reference outfits unchanged and preserve damp clothes and hair after the cloud clears.

One charcoal-grey cloud, 60 cm wide, floats above her: turbulent vapor, feathered edges, local shadow and narrow droplets over her patch of bench. No face, solid shell or glow. Hands deform its vapor; breath moves it. All three attempts restore the SAME cloud over her; only the final dispersal is permanent.

0–4 SECONDS — HER BAD DAY

Medium three-quarter view of her from the lane near his side, mouth visible. She begins immediately: {아 진짜, 짜증 나. 오늘 진짜 되는 게 하나도 없어.}

Start with her tense face and wet fringe, then ease upward and wider enough to reveal the small cloud just above her and his gaze fixed on it. Keep her in the composition during this reveal.

4–7 SECONDS — DEFINITELY SQUASH IT

Cut to a slightly low medium-close view from the lane that includes his speaking face and both hands around the cloud. He starts: {잠깐만. 내가 어떻게 좀 해볼게.}

One palm is horizontally above the cloud, the other directly below it. He brings them firmly together vertically. The cloud visibly loses about four-fifths of its height and spreads sideways into a thin, dense, irregular vapor pancake between his palms. Show the fully squashed end state briefly. Rain stops during compression. He separates his palms; the compressed vapor swells back to its original full thickness and rain resumes. No mere patting or unchanged round cloud.

7–10 SECONDS — PUSH WITH HIS HANDS

Cut to a wider oblique view along the bench, keeping her face and the whole horizontal travel visible. He says: {아, 왜 자꾸 돌아와.}

Both palms press against the cloud's side and shove it horizontally toward the open lane. His arms visibly extend. The cloud moves a full arm's length away from her, slips free of his hands and drifts back above her. His hands lower empty. Her posture is unchanged. This is a sideways hand-push, distinct from the previous vertical compression.

10–12 SECONDS — BLOW IT FAR AWAY

Cut to a tight three-quarter view of his pursed lips and the nearby cloud, then quickly pan with the cloud into a wider view of the lane. He blows once, forcefully. A visible gust deforms the cloud and propels the WHOLE cloud down the lane, approximately three meters away, past the bench end toward the existing trees. Show its complete outward travel. It becomes clearly smaller through distance, leaving empty air above her. Breath only; nobody speaks during the blow.

12–13.5 SECONDS — CONFIRM IT IS REALLY GONE

Cut to a medium view from the lane with his face in the foreground and the displaced cloud still clearly visible far down the lane. He tracks that distant cloud with his eyes, lowers his chin in satisfaction and says: {어 됐다.}

He speaks only AFTER the cloud has reached the distant position. Hold that spatial separation long enough to read his apparent success.

13.5–15 SECONDS — IT COMES BACK

In the same view, the distant cloud reverses direction and travels back along the visible lane toward the bench. Pan back with it as needed, keeping its flight continuous. It brakes above her original seat and rains again. His pleased smile falls. No teleporting, duplicate cloud or premature return while he is speaking. Nobody speaks here.

15–20 SECONDS — NOTICE HER

Cut to a medium two-shot from the lane with both faces readable. Before he can try again, she catches his right hoodie sleeve with her right hand and says immediately: {그거 안 치워줘도 돼.}

He looks down from the cloud to her face, hands lowering: {그럼 어떡해?}

She releases the sleeve, taps the seat beside her and says: {그냥 옆에서 얘기 들어줘.}

Natural brisk turn-taking, no overlapping voices or long gaps. His chest and attention turn toward her as she speaks.

20–24 SECONDS — LEANING AND REAL WEATHER CLEARING

Cut to a steady, slightly wider three-quarter two-shot. Include both upper bodies, the entire cloud and clear air around it. He sits immediately beside her. She rests her head on his right shoulder. Only after contact, the cloud clears like actual low mist in a light breeze: its ragged edges loosen into fine translucent wisps, moisture spreads sideways through the air, gaps open inside the remaining vapor and the last thin strands drift away. Rain dwindles to a few drops and stops. By the end, the air above them is clear.

Show the actual vapor moving and breaking apart in the SAME uninterrupted shot as her relaxed shoulders. Do not fade the cloud as a single flat layer, shrink it into a dot, dissolve it uniformly, flash it away or use sparkles, magic dust or light beams. His wet fringe and their damp clothes remain. Nobody speaks in this shot.

24–27 SECONDS — HE LISTENS

Continue the same shot, dollying gently backward and slightly sideways along the lane, keeping their faces and his hand visible. Still resting on his shoulder, she links her right arm around his right forearm and begins softly: {아니 그래서…}

Her speech continues as quiet, deliberately unintelligible Korean murmuring. He gives two small attentive nods, without speaking. His FREE LEFT hand reaches gently over to smooth the crown of her hair with one or two soft, unhurried strokes; his right arm stays linked with hers. His fingers move over the hair surface without covering her face or pressing her head down. Camera movement reveals their comfortable seated posture while keeping the listening and caress readable. Their sky stays clear.

27–30 SECONDS — HARD CUT: THREE OTHER COUPLES, THREE DIFFERENT CLOUDS

HARD CUT to a separate wide establishing view of the SAME lane, angled away from the bench so the leads are outside this composition. From the FIRST FRAME of this shot, all SIX pedestrians are already plainly visible as THREE separate couples, each pair walking shoulder to shoulder. Do not begin with one pair and gradually add the others.

Pair A occupies the left foreground; pair B occupies the center middle distance; pair C occupies the right farther distance. Stagger them without overlap, with generous open gaps separating pairs. Frame high enough to include every cloud, and use sufficient depth of field to keep all three pairs and their clouds readable. Independent walking speeds, distinct faces and outfits; no formation or lead duplicates. All six remain visible through the final frame; nobody exits early.

Exactly ONE cloud follows EACH PAIR, floating above the midpoint of that pair's two heads. Deliberately different PHYSICAL sizes: pair A has a small head-width cloud, pair B has a broad cloud spanning both shoulders, pair C has the largest cloud, wider than its two walkers together. Make the farthest cloud visibly substantial despite perspective. Three distinct clouds and three distinct couples remain simultaneously readable. Each cloud follows only its own pair at their walking speed. Do not merge them into one overhead weather bank or put all clouds over a single couple. The other couples walk silently; no additional rain is required.

Her existing indistinct story carries softly across the cut from off-screen and recedes into footsteps and lane ambience. No new intelligible dialogue. Hold this wide composition to the end. Final visible count: six pedestrians, grouped into three couples, with three differently sized clouds.

AUDIO AND GUARDS

Natural conversational Korean only. Exactly the eight braced lines above, in order, plus her deliberately indistinct continuation. Only the current speaker's lips move. Never read directions aloud. Dialogue starts promptly in its assigned shot, except his success line, which waits until the cloud is visibly far away. Sound: rain, splashes, breath, clothing, bench creak, footsteps, lane ambience. Extras never speak.

Preserve the specified action order and all three failed attempts. No umbrella, extra handheld prop, costume change, split screen, slow motion, subtitles, lesson text, music, score, logo or watermark.