Fire Woman EP.1

@Image1 defines SEOYUN only: her face, chin-length straight auburn-brown bob, body proportions and clothing — an open knee-length white lab coat with rolled cuffs over a fitted black scoop-neck rib tank, a high-waisted charcoal pencil mini skirt and black low-heel ankle boots. Bare eyes, no eyewear, no jewellery. Do not use the sheet's white background, its multi-view layout, its standing pose or its close-up framing.
@Image2 defines the LOCATION only: the long rectangular underground containment laboratory — white wall panels, glossy pale-grey floor, two rows of steel benches along one straight central aisle, ceiling strips of fluorescent panels, the steel airlock door with a small rectangular observation window on the RIGHT wall near the camera end, yellow-black hazard tape in front of it, the main exit door in the centre of the FAR end wall. Geometry, materials and light sources only — not camera, framing or people. The reference is empty; in this film it is populated. Do not add rooms, furniture or windows beyond what it shows.

Live-action horror film, photorealistic, practical-effects look, real fire with real heat shimmer and smoke. Controlled multi-shot sequence, 30 seconds, twelve timed shots, hard cuts only, every shot starts mid-action with no idle beat. No slow motion anywhere. LIGHTING: cold even fluorescent light until 11.5s; exactly once, at 11.5s, the fluorescent panels cut out and the red ceiling beacons start rotating; from then on the room is lit only by red beacons and fire. No other lighting change anywhere.
Energetic camera: handheld, whip pans, snap zooms, low angles.

CAST — exactly these named people: SEOYUN (@Image1). MINJAE, a Korean man in his late twenties, short black hair, thin silver metal-frame glasses, white lab coat over a grey knit sweater. SIXTEEN other researchers in white lab coats, unnamed extras with clearly different faces, hair, heights and builds; none resembles SEOYUN. TWO security guards in plain black uniforms, waiting inside the airlock. Everyone keeps their own face and clothing in every shot; faces never blend.

CROWD RULE: every researcher flees on their own path, always away from SEOYUN — toward the far exit or down behind a bench.

SEOYUN'S CHARACTER: a fearless researcher whose curiosity always beats her fear — she leans closer to danger, not away. After infection she never speaks again: deliberate and predatory, her head snaps in sudden jerks like a zombie, and between attacks she is utterly still.

INFECTED SEOYUN LOOK (from 11.5s to the end, identical in every shot): glowing orange-red veins like cracks of lava under her skin, spreading from the left side of her neck across her jaw, both cheeks and down her chest; both eyes completely charcoal-black from edge to edge with a faint ember glow deep inside; skin turned pale grey.

FIRE BREATH CYCLE: one sharp inhale, her throat glows orange through the skin, her mouth opens wide and a jet of real roaring flame pours out; the air ripples with heat, things in its path ignite and glass bursts; when it ends her mouth closes and smoke curls from her lips. Breath fire only ever comes from her mouth.

BLINK STRIKE CYCLE (the two strikes): she drops into a half-crouch for an instant; her body bursts into a smear of embers and black smoke and she is gone — in the very next frame she is already standing at the target at the opposite end of the room, while the ember smear still hangs in one straight line across the whole room behind her. Her right hand, fingers hooked like claws and wrapped in real flame, swings one savage backhand swipe like a zombie; the blow throws a burst of fire and takes the head clean off. Then the flame on her hand dies to smoke. She never runs between the two ends — she is simply there. No cartoon flames, no glowing graphic effects.

0.0–2.5s — Macro tracking shot inside the sealed glass capsule on the foreground bench, its brushed steel lid screwed on tight: a finger-sized larva with overlapping dark scales, ember-orange light pulsing between them, crawls along the inside of the curved glass; the lens glides beside it almost touching the glass. Off-frame, MINJAE says in natural Korean, uneasy: {선배, 얘 또 움직여요.}

2.5–5.0s — Medium side shot at the bench, MINJAE standing at her right: SEOYUN, fascinated, grips the capsule's steel lid with both hands, twists it loose and lifts it off, sets it down on the bench, then bends over the open capsule and peers straight down into it, her face right above the opening. MINJAE leans away. SEOYUN says softly in Korean: {가만있어 봐.}

5.0–6.0s — Her point of view straight down into the open capsule: the larva rears up from the bottom and springs straight up out of the opening at the lens. Nobody speaks in this shot.

6.0–11.5s — One continuous handheld shot, waist-up pushing in to a close-up, MINJAE in the background at her right. The transformation must read as a physical struggle, never a still face — her body moves the whole time. The larva clamps its jaws onto the left side of her neck and holds on, writhing; she staggers back against the bench, clawing at it with both hands. She screams; her body convulses twice and her back arches. Orange veins crawl outward from the bite like spreading cracks — first her neck, then her jaw, then across both cheeks — while MINJAE reaches toward her and then recoils. Her head drops forward. Then her head snaps up and jerks toward MINJAE: both eyes flood charcoal-black from the edges inward with the ember glow deep inside, skin pale grey, and her scream drops into a low, boiling snarl aimed at him. In the background, MINJAE shouts in Korean: {선배!}

11.5–14.0s — Camera low at the near end beside the airlock, looking straight down the aisle to the far exit door. MINJAE fills the foreground at screen-right, three-quarters to the lens: he backs away from her, shouts over his shoulder down the aisle in Korean: {다들 나가! 뛰어!} and drops behind the bench beside the airlock. At this moment the fluorescent panels cut out and the red beacons start rotating. Every researcher in this shot is already in the aisle at its first frame; they all run away from the camera toward the far door, and the front-runners squeeze out through it.

14.0–17.5s — Low angle from the floor behind SEOYUN's boots. Fire breath cycle at once: the jet sweeps the aisle in a fan from left to right while the camera whip-pans along it. Six researchers still in the aisle are caught: two keep running a few steps with their coats on fire before falling, one crashes over a bench, three collapse where they stand. Glassware bursts in a chain along both benches. Nobody speaks; only flame roar, bursting glass and screams.

17.5–19.5s — Locked extreme wide from the left side wall, the whole room left to right: SEOYUN at screen-left by the near-end bench, and at screen-right the last researcher pulling at the main exit door in the centre of the FAR end wall — the farthest point from her. Blink strike cycle, strike one: she vanishes and is instantly beside him at the far exit, the ember smear stretched across the whole frame; her flaming backhand hits his neck. Nobody speaks in this shot.

19.5–20.5s — Insert, extreme close-up at neck height, shallow focus, camera locked: her flame-wrapped clawed fingers sweep through the side of his neck; the cut chars black at once with a ring of glowing embers, the head tips off the shoulders and drops out of frame; the body stays standing a moment. Nobody speaks in this shot.

20.5–22.0s — Wide from the far exit end; the camera whip-pans with her. Blink strike cycle, strike two: from the far exit she is instantly at the near-left corner, beside two researchers pressed side by side against the wall where they hid, a few metres from the bench where MINJAE hides; her flaming backhand begins its swing at their necks. Nobody speaks in this shot.

22.0–23.0s — Insert, extreme close-up at neck height along the wall, shallow focus, a fast lateral whip following her hand: her flame-wrapped clawed fingers sweep through both necks side by side in one arc; both cuts char black at once with glowing embers, both heads tip off the shoulders and drop out of frame together. Nobody speaks in this shot.

23.0–26.0s — Medium shot at the airlock on the right wall, near camera end. MINJAE scrambles out from behind the bench, dives through the airlock doorway and rolls inside; the two guards haul the heavy steel door shut and lock it. MINJAE, gasping, shouts in Korean: {닫아요, 빨리!} The door slams.

26.0–30.0s — Inside the airlock, over the shoulders of MINJAE and the two guards, looking through the small observation window into the scorched, smoking laboratory — melted benches, small fires, still bodies, red beacons. SEOYUN is already striding straight at the window through the smoke, her coat hem smouldering, veins pulsing; at 27.5s her face is right against the glass, looking at the three of them. She tilts her head and smiles, ember light leaking between her teeth. At 28.5s fire breath cycle straight onto the window; flame washes across the glass and fills the whole frame until the very last frame.

SOUND: only diegetic sound — capsule hum, fluorescent buzz, the larva's wet click, alarms, stampeding feet, roaring fire, a sharp whoosh-crack on each blink strike, bursting glass, screams, the steel door slam, crackling embers, breathing. Dialogue language: Korean only; every spoken word, including background shouting, is Korean. Spoken lines are only the quoted lines above, in that order, one voice at a time; no fragment of any other description is ever spoken.

CONSISTENCY: SEOYUN keeps @Image1's face, bob and outfit in every shot; the infected look never fades once it appears. Layout from @Image2 never flips. Every fire has a source in her mouth or her striking hand. No object appears, disappears or floats without cause. No subtitles, no on-screen text, no logo, no watermark throughout. No background music.