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생성 프롬프트 · 9755자
Use as the woman's exact face, hair, body and outfit, unchanged throughout. Ignore its white studio background, the sheet layout and the face inset — only her face, hair and outfit. Use as the man's exact face, hair, piercings, tattoos, body and outfit, unchanged throughout. Ignore its white studio background, the sheet layout and the face inset — only his face, hair and outfit. Use as the exact park — the curving red-brown rubber path, the grey paved path beside it, the green metal-framed bench, the boxwood hedge, the zelkova and cherry trees, the octagonal pavilion and the white apartment blocks beyond. Every shot is in this one park. Do not build a new place or add to it. The reference is empty; in our film the two of them are in it, and a few distant strangers walk far in the background. Use only as the picture on her phone screen in the first shot — the lock screen exactly as shown, their couple selfie with the white clock 3:20. It never appears anywhere else. Exactly two named people appear: the woman and the man. They are a couple; she is a little older and he calls her 누나. Her look never changes: butter-yellow cardigan buttoned below the V-neck, cream tank, cream lace midi skirt over wide blue jeans, brown Mary Janes, brown canvas shoulder bag with the red cherry charm on her LEFT shoulder, small colored cherry tattoo on her right collarbone, bare eyes, no eyewear, no hat. His look never changes: camouflage T-shirt over a red T-shirt, fully tucked into low wide blue jeans with the black eyelet belt, black lace-up shoes, silver chain, eyebrow barbell, cheek stud, clock tattoo on the left side of his neck, bare eyes, no eyewear, no hat. HER CHARACTER: she sulks out loud but can never stay angry. When she is annoyed her sentences get short and clipped and her eyes do the scolding; the moment she is amused, she breaks into a soft, pretty giggle and lifts her fingertips toward her lips. No cuteness, no pouting for effect — she talks to him like the older one who is used to him. HIS CHARACTER: he looks tough and tattooed but around her he is a puppy. He is truly sorry for being late, yet he never shrinks — he answers every scolding with a grin and a joke and keeps leaning in. Korean dialogue only, every word spoken in natural, conversational Seoul Korean; no other language at any point. Only the speaker's mouth moves; the listener's lips stay closed. Her voice: clear, slightly high, fast, clipped sentence endings; she drops it low and flat when she glares, and it jumps back up when she laughs. His voice: soft low baritone with a slight husk, relaxed tempo, a smile audible at the ends of his lines; only his first words on arrival are out of breath. There are exactly seventeen quoted lines, below, in this order, one voice at a time. Nothing else in these directions is ever spoken aloud. STYLE: Real handheld footage of a real couple, filmed on a cinema camera through a soft diffusion filter like a Black Pro-Mist, the way a Korean music-video short film is shot. Natural afternoon daylight under thin high clouds, around 5200K, soft and hazy: bright sky and pale buildings bloom gently, shadows lifted, low contrast, faces stay detailed. Fresh natural color — butter yellow, true denim blue, olive camouflage, cherry red, strawberry pink, spring green. Real skin with pores and peach fuzz. Gentle breathing handheld sway in every shot except the phone close-up, which is held almost still. No subtitles, no on-screen text, no logo, no watermark. SCREEN GEOGRAPHY: the bench faces the path. She is always on HIS RIGHT-hand side and he on HER LEFT-hand side. So in every shot filmed from the front of the bench, she is on screen-LEFT and he is on screen-RIGHT; the camera keeps that arrangement across those cuts and never flips it. Neither of them ever looks at or speaks to the camera — every line is spoken to the other in a three-quarter view, mouth readable. Setting: the park path in the afternoon. She sits on the left end of the green bench from the first frame, her phone in her right hand. He arrives carrying two clear plastic cups with straws: a strawberry latte — pink milk over crushed red strawberries — in his right hand, and an iced americano in his left. Each cup wears a bright lemon-yellow ribbed paper cup sleeve wrapped around its middle, with one thin dark-navy stripe along its top edge — plain sleeves with no text and no logo — and the hand holding the cup grips it by the sleeve. Ice rattles in both cups. No other props appear. Sound: no music. Park ambience throughout — birds, leaves in a light wind, faint distant voices of strangers. His running footsteps on the rubber path and his breathing, ice rattling in the cups, a short straw sip, their laughter at the end. 0–1.2 sec — THE SCREEN Close-up from just above her right shoulder onto the phone held steady in her hand, the camera still; beyond the phone, her lap, the wooden slats of the green bench and the boxwood hedge are softly blurred. The screen shows exactly, sharp and readable: their selfie with the white clock 3:20. The screen image is a still image. The phone does not tilt, rotate or drift. Her thumb rests on the edge of the phone. Her quiet sigh is heard. Nobody speaks in this shot. 1.2–4.0 sec — HER GRUMBLE Close-up of her face, three-quarter from her left, the park softly blurred behind her. She lowers the phone, gives a small disbelieving sigh through a half-smile and looks off along the path to screen-right, where he will come from. MOUTH OPENS SPEAKS OUT LOUD, to herself, both sentences back to back in one quick breath: 「아니 맨날 늦어, 맨날.」「지가 무슨 대기업 회장님이야?」 4.0–6.3 sec — HE ARRIVES Handheld wide from across the path: the bench on screen-left with her sitting on it. He runs in along the red path from screen-right, both cups in his hands, the yellow paper sleeves bright around the cups, calls out while still running, then stops beside her on screen-right, catching his breath and grinning down at her. MOUTH OPENS SPEAKS OUT LOUD, out of breath: 「누나!」「많이 기다렸지?」 6.3–7.5 sec — HER SILENT GLARE Close-up of her face from the front of the bench, the camera slowly pushing in. Without a word she turns her head slowly up toward him on screen-right and narrows her eyes at him, lips pressed together. Nobody speaks in this shot. 7.5–11.0 sec — WHAT TIME IS IT Medium two-shot from in front of the bench. She sits with her arms folded and turns only her head up toward him on screen-right, glaring. He stands on screen-right, shoulders creeping up, eyes darting. Short exchange, each answer a beat later than the last: She, low and flat: 「지금 몇 시야.」 He, sheepish: 「…세 시 이십 분?」 She: 「약속은?」 He, even smaller: 「…세 시.」 11.0–15.0 sec — THE LATTE Over HIS RIGHT shoulder onto her, the camera behind him at his side of the bench: his shoulder soft in the screen-right foreground, her face beyond it on screen-left. He holds the strawberry latte out in front of her face with his right hand, gripping it by its yellow paper sleeve. She keeps her arms folded; the corners of her mouth fight to stay down. MOUTH OPENS SPEAKS OUT LOUD, he first, then she: He: 「대신 이거 사 오느라 늦었어.」「누나 좋아하는 거.」 She, eyebrow raised: 「회장님은 라떼로 퉁치시나 봐?」 15.0–18.5 sec — HE KNEELS Close-up of him, three-quarter, the camera low at her side of the bench. He drops onto one knee on the path in front of her, the latte still held up toward her, and looks up at her on screen-left with a cocky grin. MOUTH OPENS SPEAKS OUT LOUD: 「이걸로 안 되면, 누나 화 풀릴 때까지 무릎 꿇고 있을게.」 18.5–23.0 sec — GET UP Low side two-shot, she on screen-left, he on screen-right. She glances at the strangers far down the path and breaks into a soft, pretty giggle, lips closed at first, fingertips lifting toward her mouth — a gentle feminine laugh, never a sudden burst of air through the lips. Then, with her right hand, she takes the latte from him, with her left she grabs his forearm and pulls him up to his feet; he rises and leans his face in close to hers. MOUTH OPENS SPEAKS OUT LOUD: She, laughing: 「아 진짜… 일어나, 사람들 보잖아.」 He, grinning: 「그럼 용서한 거다?」 23.0–26.5 sec — HER COMEBACK Close-up of her, three-quarter, from his side. She sips the latte, lets go of the straw, lifts her chin and looks up at him on screen-right with a teasing smile. MOUTH OPENS SPEAKS OUT LOUD: 「다음번엔 아주 그냥, 내가 더 늦을 거야.」 26.5–30.0 sec — WALKING AWAY Handheld medium-wide from behind and slightly to her right, a three-quarter back view on the red path. They walk away side by side, shoulder to shoulder, keeping the same sides as on the bench: she on his right-hand side, so seen from behind she is on screen-RIGHT holding the latte and he is on screen-LEFT with the americano; heels land first, strict left-right steps. He turns his face to her and asks, his cheek and mouth visible past her; she turns her face to him, mouth visible in three-quarter, and throws both arms wide to show how much, the latte still in her right hand. MOUTH OPENS SPEAKS OUT LOUD: He: 「얼마나?」 She: 「엄~청 많이!」 They both break into laughter as they keep walking away, and their voices fade smaller and smaller until only the park is heard. Acting keywords: bored sulking wait, disbelieving sigh, running arrival and heavy breathing, folded-arm glare, sheepish shrinking, a smile fighting to stay down, cocky kneel, a soft pretty giggle behind her fingertips, pulling him up by the forearm, teasing chin lift, arms thrown wide, laughter fading into the distance. Negative: no subtitles, no on-screen text except the phone screen in the first shot, no logo, no watermark, no music. Nobody faces or talks to the camera. No third named person, no extra drinks, no cups appearing or vanishing. No change of clothes, hair or accessories. No slow motion.