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생성 프롬프트 · 7474자
[Reference roles] @image1 defines the potter's face, hair and complete outfit. Do not use its background, panel layout, pose, expression or lighting. @image2 defines the pottery studio — the room's architecture, shelves, work surfaces, floor, window and light sources. Do not take any person from it. [Generation goal] Generate a nine-shot candid home video: a friend films a potter throwing a bowl on an electric wheel, and the wheel's spray slowly dirties the camera glass until the potter wipes it with a clay-covered finger. [Look] Multi-shot candid home video, hard cuts between takes as if the camera was switched off and on again — never hold one continuous angle. Handheld in both hands, slightly crooked framing that the friend keeps correcting, natural available light only from the studio's window and ceiling tubes. Photorealistic, real captured footage feel, fine video grain, slightly faded colour. Optics stay honest: 35mm natural perspective, straight verticals, undistorted face and hands, sharp from centre to corners, deep focus, flat clean frame edges. [Camera fiction] A friend films from a low stool on the opposite side of the wheel, holding the camera at the potter's chest height. The friend never speaks. The frame drifts a little each time the friend leans in to see the clay, then tilts back to level. The spinning wheel flicks fine droplets of grey clay slip toward the camera. Every droplet that lands on the glass stays exactly where it landed for the rest of the video — it never runs off, dries away or disappears, and the count only ever goes up. [Props at 00:00 — before anything moves] On the wheel head: one centred lump of grey clay. On the splash-pan rim to the right: a plastic tub of grey water with a yellow sponge floating in it. On a low stool to the left: a wooden tray holding a wooden rib, a wire cutter and a metal kidney. Nothing else in the room moves. Only these props move, and only when a visible hand takes them, one at a time, and each returns to its own place on the surface afterwards. When only one hand works the clay, the other rests on the splash-pan rim. No object appears, disappears, floats, or morphs into another object. [Stage 1 — 0 to 8 seconds | glass completely clean] Initial state: the potter sits at the wheel, forearms braced on her thighs, both hands cupping the lump of clay. Her cream knit sleeves are already shoved up above the elbows before the first frame and stay above the elbows for the whole video, leaving her forearms bare. The glass is clean and the whole frame is sharp. Primary event: she wets both hands in the tub and centres the clay — the lump wobbles, then stops wobbling and turns as a smooth grey dome under her palms. Shot 1 (0-3s): wide from the friend's stool, the whole potter and wheel in frame, the friend correcting the tilt. Shot 2 (3-6s): close on the hands and the wobbling clay, water running over grey knuckles. Shot 3 (6-8s): over her forearm onto the now-smooth spinning dome. End state: a centred grey dome spinning true, her face and forearms clean, zero droplets on the glass. [Stage 2 — 8 to 16 seconds | first droplet] Continue from the previous stage: same potter, same outfit, same room, same wheel speed and direction. Primary event: she opens the dome with both thumbs and pulls the wall up into a cylinder. At 9 seconds one droplet of slip flicks off the rim and lands on the lower-right of the camera glass, leaving a small translucent grey smear in that corner only while the rest of the frame stays sharp. At 12 seconds she pushes a loose strand of hair off her right temple with the back of her wet hand and leaves a first grey streak on her skin. At 14 seconds she glances straight into the lens and lets out one short breathy sound of surprise, barely louder than an exhale. Dialogue language: Korean. The potter voices only this single syllable, quietly and under her breath, and says nothing else: {오} Shot 4 (8-11s): tight top-down on the clay opening under her thumbs. Shot 5 (11-14s): from the side, the wall rising between her fingers. Shot 6 (14-16s): her face, one clay streak at the temple, looking into the lens. End state: a straight cylinder on the wheel, one streak on her temple, one smear on the lower-right of the glass. [Stage 3 — 16 to 24 seconds | the smears accumulate] Continue from the previous stage: cylinder, streak and smear all carried over unchanged. Primary event: she takes the wooden rib from the tray with her right hand and flares the cylinder outward into a shallow bowl, then sets the rib back on the tray. Two more droplets land — one upper-left at about 18 seconds, one centre-right at about 21 seconds — so three separate smears now sit on the glass while the rest of the frame stays sharp. At 22 seconds she pushes her hair back again and leaves a second streak, this one across her cheekbone. Shot 7 (16-20s): low angle across the splash pan, the wall flaring outward. Shot 8 (20-24s): close over her shoulder, the bowl's rim widening, the smears catching the bright window behind. End state: a finished shallow bowl turning on the wheel, two streaks on her face, three smears on the glass. [Stage 4 — 24 to 30 seconds | the wipe] Continue from the previous stage: the bowl keeps turning, both hands still wet with slip. Primary event: she leans back, sees the dirty glass and cracks up. Dialogue language: Korean. She delivers the line half-laughing, the laughter breaking the words apart, in loose everyday Korean: {야, 렌즈 어떡해} <she keeps giggling through the rest of the shot>. Still laughing, she reaches her clay-covered right index finger straight toward the camera and drags it once across the glass. The three separate smears pull into one thick grey band and the entire frame goes soft and streaked — the wheel, her arm and the bowl still visibly moving behind the grey, the camera still drifting in the friend's hands as the video ends mid-motion. Shot 9 (24-30s): straight-on from the friend's stool, her hand growing across the frame, then the smeared world still turning. End state: the whole glass smeared grey, everything behind it still moving. [Maintain consistency] Keep the potter as one continuous person throughout — same face, same hair, same outfit, never duplicated or split. Only one person is ever visible: the friend behind the camera is never seen and never speaks. Keep the wheel turning in the same direction in every shot, the same studio layout and light, and the clay moving forward only: lump, dome, cylinder, bowl. Clay streaks on her face only increase. Smears on the glass only increase. [Emotions] The potter — focused and quiet while centring, her jaw set and her eyes down on the clay; a short spike of satisfaction when the wall rises, shown in her eyebrows lifting and a quick look into the lens; then, when she sees the dirty glass, it tips straight into open laughter — her shoulders shaking, her eyes squeezing shut between breaths, the laugh still running as she reaches out. [Sound] Diegetic only. A constant low motor hum from the wheel, wet clay squelching and slapping under her palms, water dripping back into the plastic tub, the wooden rib scraping once against the turning wall, <the friend laughing along from behind the camera>, and the finger squeaking across the glass at the end. No background music. No subtitles, no on-screen text, no logo, no watermark throughout. Audio: dialogue and diegetic sound effects only, no background music.