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생성 프롬프트 · 15888자
defines the WOMAN's face, identity, skin texture, hair and body proportions. Do not use the background, composition, clothing or lighting from . [Cast — locked] Only TWO people appear in the entire video, and they are never in frame together except in Shot 3. WOMAN (main subject, ): in every shot. Washed grey oversized cotton hoodie, black nylon track shorts, rubber slides, bare ankles wet from rain, damp hair. CLERK (Shot 3 only): a completely different person — a young man in his twenties, short cropped black hair, black square-framed glasses, a plain navy short-sleeve uniform shirt, flat sleepy expression, standing behind the counter. He never leaves the area behind the counter, appears only in Shot 3 and is never seen again. The CLERK's face must be entirely distinct from the WOMAN's face — different bone structure, different features, different gender. Never blend, morph, swap or average the two faces. Never render a reference sheet, a split screen, a mirrored twin, or a duplicate of either person. No other customer, staff member or passerby enters the store at any point. [Generation Goal] Generate a raw observational documentary vlog. Montage, multi-shot candid footage — never one camera angle, never a single unbroken cut. Handheld documentary feel of something caught by accident: slightly imperfect framing, small drifts and reframing corrections, gentle exposure breathing, autofocus arriving half a beat late. Real skin texture with true micro pores, hard fluorescent ceiling light with a faint flicker, fine film grain, shallow depth of field. Relaxed breathing, small blinks, restrained natural performance. Ordinary late-night pacing: small irritation to small waiting to small comfort to small satisfaction. The primary event: the woman ducks into a small 24-hour convenience store during heavy rain around 4 a.m., buys a cup noodle at the counter, pours hot water at the self-service station, waits out the three minutes alone at the window bar, eats it, and leaves back into the rain. [Dialogue-Action Separation Rule — highest priority] Speech and physical action NEVER overlap, for either person. Every line follows this exact order inside its shot: (1) the speaker completes the physical action, (2) their hands come to rest, their mouth is empty, they stop moving and lift their face, (3) only then do they speak, holding still through the whole line, (4) movement resumes after the line ends. No one speaks while chewing, while food or liquid is in their mouth, while blowing on food, while their head is lowered, while turned away from the lens, while a hand or object covers their mouth, or while mid-stride. Any shot in which the speaker's face is not clearly visible contains NO speech at all. Every line is on-camera synchronized speech from that person's own mouth, in natural conversational Korean at low volume, lips clearly visible, lip movements precisely matching the Korean pronunciation. Absolutely no voiceover, no narration track, no off-screen speech, no internal monologue, no dubbing feel. [Camera Rule for Speaking Beats] During every spoken line the camera holds a front or three-quarter-front framing of the SPEAKER's face at medium-close to close size, mouth unobstructed. Handheld drift continues but stays small and never swings the speaker's face out of frame during a line. Over-the-shoulder framing, framing from behind, floor-level framing and any move that hides the face are used ONLY in shots with no dialogue. [Prop Continuity — locked] THE CUP NOODLE: one plain white cylindrical paper cup, about 12cm tall, with a single thin red band printed around its middle and no other printing, text or graphics anywhere. Sealed with a plain white paper lid. This is the SAME single cup in every shot from Shot 2 to Shot 11 — shape, height, colour and red band never change. LID: sealed in Shots 2-3 → peeled halfway back in Shot 4, pressed down again at the end of Shot 4 → lifted about one centimetre and closed again in Shot 6 → fully removed, folded, set on the bar to the right of the cup in Shot 8 → stays there in Shots 9-10 → binned in Shot 11. CHOPSTICKS: one pair of plain wooden chopsticks, laid flat on the lid at the end of Shot 4, nudged off-centre in Shot 6, in her hand from Shot 8, laid across the cup rim in Shot 10, binned in Shot 11. CONTENT: dry and sealed until Shot 4 → water poured to just above the inside line in Shot 4 → steaming and full in Shots 6-8 → broth about half remaining in Shot 9 → a few noodles left in Shot 10 → empty in Shot 11. [Shot 1 | 0-2.5s] — WOMAN SPEAKS Beat 1 (action): night, heavy rain outside. She shoulders the glass door open with a folded dripping umbrella, steps inside, shakes the umbrella twice over the entrance mat, stamps her wet slides on it. Beat 2 (stop): she lowers the umbrella to her side, both hands still, turns her face back toward the rain-streaked door and lifts her chin so her face is fully toward the lens. Beat 3 (line): standing still, mouth empty, in an amazed-and-fed-up low Korean mutter, lips clearly visible: {아, 비 미쳤어.} Beat 4: she turns and walks into the aisle after the line ends. Camera: front medium from just inside the store at chest height, drifting slightly and correcting; the lens fogs faintly for a moment. Her face stays in frame throughout the line. <heavy rain hammering the awning> <a glass door squeaking> <water flicked off a wet umbrella> End state: inside, umbrella hanging from her wrist, door shut behind her. [Shot 2 | 2.5-5.5s] — WOMAN SPEAKS Beat 1 (action): at the instant-noodle shelf she picks up a SQUARE plastic bowl-type instant noodle in her left hand and THE CUP NOODLE in her right, and looks down at both. Beat 2 (stop): she stops comparing, lets both hands drop to waist level, lifts her head and looks straight ahead, face toward the lens, one eyebrow slightly raised. Beat 3 (line): motionless, hands lowered, in a mock-serious deliberating Korean mutter, lips visible: {흠, 고민되는군.} Beat 4: only after the line does she put the square bowl back on the shelf and keep the cylindrical cup. Camera: three-quarter-front medium close from her right, small drift left and a corrective nudge back; autofocus settles on her face before the line and stays there. End state: only the cylindrical cup noodle in her right hand; the square bowl back on the shelf and never seen again. [Shot 3 | 5.5-8s] — CLERK SPEAKS (the woman is silent in this shot) Beat 1 (action): the woman steps up to the counter and sets the sealed cup noodle down on it. The CLERK, standing behind the counter, picks it up and scans it — one flat beep — and sets it back down. Beat 2 (stop): the clerk's hands come to rest on the counter, he lifts his face and looks toward the woman, his own face angled toward the lens, mouth unobstructed. Beat 3 (line): the CLERK, standing still, says in a flat, tired, routine service-Korean, lips clearly visible and lip-synced: {사천오백 원입니다.} Beat 4: after the line the woman silently taps a card on the reader and picks the cup back up. She does not speak at all in this shot. Camera: medium two-shot from the end of the counter, angled so the CLERK's face is three-quarter front and clearly readable during the line while the woman is in frame at the side, her face partly turned. The two faces are never overlapping, never blended, and stay clearly different people. <a flat checkout beep> <a card reader tone> <the low hum of a drinks cooler> End state: card pocketed, the same sealed cup back in her hand, the clerk staying behind the counter as she walks away. [Shot 4 | 8-11s] — WOMAN SPEAKS Beat 1 (action): at the hot water station she peels the lid halfway back, presses the lever and watches the water rise toward the inside line, head lowered. Silent throughout this. Beat 2 (stop): she releases the lever, the water stops, she lets go of the cup, straightens up and lifts her face out of the steam, hands at her sides. Beat 3 (line): standing still, mouth empty, in a satisfied under-the-breath Korean, lips visible: {오케이, 여기까지.} Beat 4: only after the line does she press the lid back down and lay the chopsticks flat on top, then pick the cup up in both hands. Camera: begins tight on her hands and the rising steam during Beat 1, then tilts up and settles into a front close-up on her face BEFORE the line starts, holding still through it. <a hot water dispenser running> <paper lid crinkling> End state: lid pressed down, chopsticks on top, cup in both hands. [Shot 5 | 11-13.5s] — WOMAN SPEAKS Beat 1 (action): she sits on a stool at the window bar, sets the cup down, props the wet umbrella against the bar leg and looks out at the rain, one heel bouncing her slide. Beat 2 (stop): the heel stops, she turns her head from the window to face across the bar toward the lens and rests her chin on her palm, mouth uncovered. Beat 3 (line): still, in a bored drawn-out Korean mutter, lips visible: {삼 분… 개길어.} Beat 4: she looks back to the window after the line. Camera: three-quarter-front medium close from across the bar, the fluorescent ceiling reflected in the glass behind her. Never from behind in this shot. End state: seated, cup closed on the bar, rain on the glass beside her. [Shot 6 | 13.5-16s] — WOMAN SPEAKS Beat 1 (action): she lifts the lid about one centimetre to peek, a burst of steam hits her face, she squints, drops the lid back down and fans the steam away with her hand. Silent throughout. Beat 2 (stop): her hand comes down to the bar, the steam clears from in front of her face, she blinks twice, looks at the cup, then lifts her chin. Beat 3 (line): motionless, mouth empty, face unobstructed, in a small resigned Korean, lips visible: {아직인가 봐.} Camera: front close-up at bar-top height; a slight overshoot right and correction back that finishes before the line begins, then held steady through the line. End state: lid closed again, chopsticks nudged slightly off-centre. [Shot 7 | 16-18s] — NO SPEECH Waiting in silence. She wipes rainwater off her forearm with her sleeve, looks down at the puddle spreading under the umbrella, nudges the umbrella upright with her foot and breathes out through her nose. She does not speak and does not move her lips. Camera: handheld from the far end of the bar, a slow lateral slide past a stack of empty stools in the foreground; her face is partly obscured — which is why there is no dialogue here. <rain on glass> <a faint fluorescent hiss> <rubber slides scuffing tile> End state: umbrella upright, small puddle on the tile, cup still closed. [Shot 8 | 18-22.5s] — WOMAN SPEAKS (two lines, separated by silent eating) Beat 1 (action): she pulls the lid fully off, folds it and sets it on the bar to the right of the cup. Steam rises. She lifts a first load of noodles with the chopsticks, feels the heat, and lowers them straight back into the cup without putting anything in her mouth, shaking her fingers out. Beat 2 (stop): chopsticks resting across the cup, hands away from her face, mouth empty. Beat 3 (line 1): still, in a hot-fingered breathy Korean, lips visible: {아 뜨거, 아 뜨거.} Beat 4 (silent action): she lifts the noodles again, blows on them twice and eats — a real, unglamorous slurp, cheeks working, eyes half closing. She says nothing at all while chewing. Beat 5 (stop): she finishes swallowing completely, her throat moves, she lays the chopsticks across the cup rim and lets her jaw relax. Mouth now empty. Beat 6 (line 2): motionless, in a released satisfied Korean sigh, lips visible: {…하, 좋다.} Camera: settles into a three-quarter-front close from her left before line 1 and holds; drifts in slightly during the silent eating; is back to a steady front close before line 2. Loose hair and a wisp of steam soft across the foreground, never across her mouth. <real slurping and swallowing> <chopsticks tapping a paper cup rim> End state: folded lid on the bar to the right of the cup, cup partly eaten. [Shot 9 | 22.5-25s] — NO SPEECH She lifts the cup with both hands, drinks the broth straight from the rim, sets it down, lets her shoulders drop and exhales through her nose, eyes unfocused on the window. Her lips do not move except to breathe. Camera: front three-quarter close-up, gentle exposure breathing as the ceiling light flickers once. End state: cup about half empty, posture loose. [Shot 10 | 25-27.5s] — WOMAN SPEAKS Beat 1 (action): she chases the last noodles with the chopsticks and eats them, chewing with her mouth closed. No speech. Beat 2 (stop): she swallows fully, lays the chopsticks across the cup rim, and her eyes drift up to the clock above the door. Her face falls slightly and she freezes for a beat. Beat 3 (line): motionless, mouth completely empty, in a quietly horrified low Korean, lips visible: {어? 나 내일 피티네.} Camera: starts on her hands in the cup, tilts up and locks onto a front close-up of her face as she looks at the clock, arriving before the line and holding through it. End state: chopsticks across the rim, a few noodles left, hands still. [Shot 11 | 27.5-30s] — NO SPEECH She stands, drops the empty cup, the folded lid and the chopsticks into the bin, grabs the wet umbrella, pushes the glass door open with her shoulder, snaps the umbrella open outside and walks off into the dark wet street; the door swings closed behind her. She does not speak. Camera: drops low under her elbow and tilts up, following her out through the door, wet asphalt reflecting the store light. <a bin lid swinging> <a glass door squeaking> <an umbrella snapping open> <one car passing through standing water> End state: the empty store interior and the closed glass door. [Maintain Consistency] The woman keeps the same face, hoodie, shorts, slides and damp hair in every shot. The clerk exists only in Shot 3, stays behind the counter, and never resembles the woman. The umbrella, the cup noodle, its lid and the chopsticks stay the same single objects across all shots following the Prop Continuity timeline; they never change shape, colour, size or printing, and no second cup noodle appears after Shot 2. Store layout, shelf placement, counter position, window bar and door direction stay consistent. Rain continues outside for the entire video. Fluorescent level and grain stay consistent. [Audio] No music at all. Only raw diegetic sound: heavy rain on the awning and asphalt, a glass door squeaking, water flicked off an umbrella, the low hum of a drinks cooler, a faint fluorescent hiss, a flat checkout beep and a card-reader tone, a hot water dispenser running, a lid peeling off paper, real slurping and swallowing, chopsticks tapping a paper cup, rubber slides scuffing tile, one car passing through water outside. All Korean lines are frontal, on-camera and lip-synced at conversational volume, each landing in a moment where no other action is happening. [Negative Prompts] No voiceover, no narration, no off-screen dialogue, no internal monologue, no dubbing. No speaking while chewing, while food or drink is in the mouth, while blowing on food, while the head is lowered, while turned away from the lens, while a hand or object covers the mouth, or while walking. No dialogue in any shot framed over the shoulder, from behind, or at floor level. The woman does not speak in Shot 3. The clerk does not appear outside Shot 3 and never speaks again. No face blending or morphing between the two people. No third person, no other customer. No subtitles, no on-screen text, no captions, no titles, no logo, no watermark, no brand marks or readable product names on any packaging, signage, uniform or cup. No background music, no score. No slow motion, no speed ramp, no drone or crane moves, no lens flare, no glossy AI skin, no beauty retouching. No duplicated or split subject, no reference sheet, no collage, no split screen. The cup noodle must not change design, size or shape between shots, and a second cup must never appear.