요리 영상은 잘 찍을수록 광고처럼 보입니다. 이 작품은 반대로 갔어요. 2000년대 가정용 캠코더로 친구가 찍어준 것처럼, 일부러 못 찍는 법을 설계했습니다.
30초 안에 동네 김밥집 사장님이 계란말이김밥 한 접시를 만들어 손님에게 냅니다. 인물은 캐릭터 시트 한 장으로 잠그고, 영상은 한 번에 뽑았어요. 컷은 아홉 개인데 이어붙인 것이 아니라, 캠코더를 껐다가 다음 단계에서 다시 켠 것처럼 보이는 하드컷을 처음부터 프롬프트에 적어 넣었습니다.
이 작품의 엔진은 결함 설계입니다. 컷마다 카메라 실수를 하나씩 배정했어요. 초점이 유리문 물방울에 먼저 잡혔다가 사람을 찾고, 그릇 테두리가 화면 아래에 잘렸다가 다시 잡히고, 마지막에는 김이 오르는 접시로 다가가다 초점을 놓친 채 화면이 뚝 꺼집니다. 녹화를 실수로 끈 것 같은 이 엔딩이 제일 공들인 부분입니다.
연속성은 단순화로 잠갔습니다. 계란말이는 원래 계란물을 나눠 붓지만 여기서는 정확히 한 번만 붓는 공정으로 바꿨어요. 덕분에 계란은 한 번만 들어간다는 한 줄로, 재료가 늘거나 사라지는 사고를 막을 수 있었습니다. 조리도구는 시작 화면에 전부 미리 배치하고, 보이는 손이 잡을 때만 하나씩 움직이게 했고요.
대사는 끝까지 한 줄입니다. 맛있게 드세요. 나머지 감정은 전부 행동에 실었어요. 썰다 나온 비뚤어진 꽁다리를 자기 입에 넣는 사장님의 버릇 같은 반 박자가, 대사보다 사람을 만든다고 판단했습니다.
단계 2개 · 레퍼런스 1장
따라 만들기
각 단계의 프롬프트를 복사해 이미지를 만들고, 이미지마다 붙은 @Image 번호 순서 그대로 업로드하면 마지막 영상 프롬프트의 번호가 정확히 맞습니다.
Step 1
사장님시트
이 단계에서 할 일
프롬프트를 복사해 이미지 생성 도구에 붙여 넣으세요
「내 것으로 바꾸기」가 붙은 이미지는 내 사진이나 내 제품을 함께 올려 만드세요
만든 이미지는 @Image 번호대로 저장해 두세요 — 영상 단계에서 그 순서로 올립니다
사장님시트
이 자리에 내 사진이나 내 제품을 넣어 만드세요
1번째로 업로드하면 프롬프트의 @Image 1이 됩니다
생성 프롬프트 · 1829자
Character reference sheet as THREE panels side by side, shot inside a cramped old Korean neighborhood kimbap shop under warm yellow fluorescent light, soft even light from the shop's own fixtures.
PANEL 1 — full-body FRONT view of the cook standing naturally in front of the stainless-steel counter, wearing the complete outfit: a faded black short-sleeve cotton T-shirt, loose dark-gray work pants, old white canvas shoes with soft creases, and a many-times-washed dark-blue denim apron with faint water marks, tied at the waist. Worn accessories: only a plain black hair tie holding her hair. Long black hair in a casual low bun, stray strands at the forehead. A real standing adult figure captured head to toe, filling the panel top to bottom — natural grown proportions, small head, legs taking up more than half of her standing height, never compressed or shortened to fit the panel.
PANEL 2 — full-body BACK view, same outfit, same spot: the apron's crossed back straps and waist knot visible, the low bun and stray neck hairs from behind.
PANEL 3 — large head-and-shoulders face close-up, identity strictly from the attached reference face, hair in the same low bun, calm neutral expression with warm brown eyes, light makeup, real skin texture with visible pores.
The attached photo provides facial identity only — facial features, skin, hair color and texture. Do not copy its straight-to-camera framing, loose open hair, white studio background or flat lighting; hairstyle, pose, angle and light in every panel follow this sheet's description. Same person, same outfit, same lighting in all three panels. Looks like real production stills from a drama set — real fabric weight and wrinkles, honest wear on the apron, no beauty filter, no CGI. Photorealistic, ultra-detailed, 4K. No readable text, no logo, no watermark.
Step 2
편집 마무리
최종본
생성 프롬프트 · 8228자
[Reference Roles]
defines the cook's facial identity, hairstyle (long black hair in a casual low bun, stray strands at the forehead slightly dampened by kitchen steam) and complete outfit: faded black short-sleeve T-shirt, loose dark-gray pants, old white canvas shoes, a many-times-washed dark-blue denim apron. Do not use the sheet's background, panel layout, poses, expressions, or lighting.
[Summary]
A quiet, warm 30-second slice-of-life documentary: in her tiny Korean neighborhood kimbap shop, the cook prepares one order of egg-roll kimbap — a finished kimbap roll wrapped in a thin golden omelette coat — and serves it to the only customer. It looks like a friend casually recording her on an early-2000s consumer MiniDV camcorder.
[Visual Style]
Extremely realistic, quiet slice-of-life documentary. Overall color slightly faded, soft contrast, limited dynamic range. Indoor fluorescents lean warm-green; the overcast street outside the glass door leans cold blue. Steam forms soft halos around the warm lamps; auto white balance occasionally drifts slowly between warm and cool. Mild motion blur, sensor noise, digital compression, lens breathing. This is not a food commercial: no perfect lighting, no slow motion, no strong shallow depth of field, no vivid ad grading, no deliberate plating. The food looks hot and real but keeps oil sheen on the pan rim, water marks on the counter, slightly uneven knife cuts and ordinary homestyle arrangement.
[Camera]
Early-2000s consumer DV camcorder, handheld by a friend who knows her, standing on the outer side of the counter. Natural sway from breathing, footsteps and re-gripping; framing occasionally tilts, the pan or the cook briefly drifting toward the frame edge. Autofocus hunts slowly between her face, the steam, the pan rim and the glass door behind; the image briefly softens when steam nears the lens; exposure dips slightly when panning from the dim counter toward the bright doorway. Every hard cut feels like the camcorder was stopped and restarted at the next step of cooking.
[Set & Props at 00:00]
A cramped kimbap shop at the mouth of an ordinary Korean residential alley — old glass sliding door, six counter seats, warm yellow fluorescent light, stainless-steel prep counter, single-burner gas stove, small fridge, metal seasoning boxes, wooden chopstick holder, one steam-fogged window. Outside: low concrete residential buildings, utility poles, dense overhead wires, a bicycle against a wall. Before anything happens, already in frame on the counter: a well-worn rectangular egg pan resting on the single gas burner; a stainless bowl of already-cracked raw eggs with metal chopsticks leaning inside; one finished seaweed-wrapped kimbap roll resting on an old wooden cutting board; a plain small knife beside the board; a small brush pot of sesame oil; a small jar of sesame seeds; one empty white ceramic plate. Only these props move, only when a visible hand grips one, one prop at a time; when an action ends the tool returns to its spot on the counter. The hand not in use rests at her side or on the counter edge. Wall menus and signage stay blurred and unreadable; no visible brands or logos anywhere.
[Customer]
Only one male customer, in a light-gray hoodie and dark pants with a black backpack, seen mainly from the side or behind, sitting quietly at the counter seat closest to the door. There is only one order — no queue, no second plate.
[Timeline]
0-3 seconds: From outside the half-open glass door, warm yellow light spills onto the gray sidewalk; a scooter passes in the distance. The camera looks into the shop; autofocus first lands on the condensation on the glass, then slowly finds the cook tightening her denim apron behind the counter. End state: she stands ready at the counter. Hard cut.
3-6 seconds: Medium-close on the counter. With her right hand she whisks the bowl of cracked eggs with the metal chopsticks, left hand steadying the bowl rim; a steady, gentle clinking rhythm. End state: smooth beaten egg, chopsticks resting back in the bowl. Hard cut.
6-9 seconds: Blue flame low and steady under the rectangular pan. She pours all of the beaten egg into the pan in one slow pour; the liquid obeys gravity, spreading into a thin even layer, edges setting softly. She sets the empty bowl down and performs no other action; auto-exposure dips slightly off the pan's warm reflection. Hard cut.
9-12 seconds: With a flat wooden spatula she lays the kimbap roll onto the near edge of the setting egg sheet and starts the first slow roll forward; the egg sheet begins wrapping around the roll. Steam briefly veils the lower half of her face. Hard cut.
12-15 seconds: She continues slow, patient rolls to the far side of the pan until the roll is fully wrapped in a golden egg coat, then turns off the gas. End state: one egg-coated roll resting in the quiet pan, steam rising. Hard cut.
15-19 seconds: She moves the roll onto the wooden cutting board with the spatula, then with the small brush paints a single thin coat of sesame oil over the top; the surface turns glossy under the warm light. She looks down checking it, stray hair clinging to her forehead, no performance for the camera. Hard cut.
19-23 seconds: With the plain small knife she slices the roll into thick pieces at a steady, gentle rhythm; the cuts are slightly uneven and the two end pieces come out lopsided. She nudges the slices together with the back of the knife, then stops. The camera reacts a touch late — the board briefly clipped by the frame edge, then reframed. Hard cut.
23-26 seconds: She arranges the slices onto the white ceramic plate in an ordinary homestyle way and sprinkles a small pinch of sesame seeds over them exactly once. Then, her small habit: she pops one lopsided end piece into her own mouth and chews unceremoniously while giving the plate a final straightening nudge. No second sprinkle, no extra garnish. Hard cut.
26-30 seconds: She places the plate on a wooden tray with a pair of wooden chopsticks and a small cup of water, takes two steps, and sets it steadily in front of the only customer; steam rises to his face. Dialogue language: Korean. She says in a natural, soft conversational Korean voice: {맛있게 드세요}. Her lips sync only to this one Korean line. The customer murmurs a quiet thank-you. She lingers half a second watching him pick up the chopsticks, then shows a very small, slightly tired but genuine smile. The camera tries to push in on the plate, but autofocus grabs the glass door behind it first; before the image refocuses, the recording cuts to black, as if the camcorder was switched off by accident.
[Audio]
Natural location sound only: wind at the alley mouth, a distant scooter, the glass door, fluorescent hum, the fridge compressor, <the gentle clink of chopsticks whisking egg in a stainless bowl>, <a soft low sizzle as the egg meets the warm pan — close but quiet, never exaggerated>, the spatula's slow scrape, <the knife passing through rice and egg in a steady gentle rhythm on the wooden board>, the plate on the tray, footsteps, the customer's slight movements. The person filming occasionally breathes audibly but never speaks. No one in the video speaks except the cook's single Korean line and the customer's very quiet murmured thanks.
[Maintain Consistency]
Keep the cook's identity, hairstyle, outfit and apron exactly as defined by in every shot. Exactly one kimbap roll; the beaten egg is poured exactly once; the same pan, board, knife, brush and white ceramic plate throughout; after slicing, the set of pieces stays the same except the one end piece she eats. One customer only. The counter layout, camera side and spatial direction stay constant across all cuts.
[Negative Prompts]
No subtitles, no on-screen text, no logo, no watermark throughout. No background music — diegetic and ambient sound only, no narration, no artificial food-ASMR effects. No extra fingers, no deformed hands, no utensils passing through hands, no floating cookware; no object appears, disappears, floats, or morphs into another object. No stabilizer, no gimbal, no orbiting moves, no overhead ad shots, no extreme macro, no slow motion, no modern cinematic grading.