POSEIDON 6

REFERENCES
@ {{Mixed 1}} defines the ONE EMPRESS's face, hair, costume, proportions and accessories. Ignore sheet pose, layout and background.
@ {{Mixed 2}} defines her ONE SPEAR, blade, shaft and metal butt. Ignore sheet layout and pictured hands.
@ {{Mixed 3}} defines the flat grassland, distant low hills, dirt track, cloudy daylight and NEAR-RIGHT stone ruin. Populate the distant battlefield as described.

FIXED GEOGRAPHY
The Empress stands alone beside the near-right ruin at one fixed ground mark. The near edge of the army is 300 meters away across empty grass, toward the far center-left. All ten thousand soldiers occupy one rectangular battlefield beyond that near edge.
Geographic wides keep Empress and ruin screen-right, enemy field screen-left. Her feet, chest and gaze face left toward the enemy. Soldiers initially face right toward her. Camera stays on one side of this axis; no mirrored compositions or camera-addressed looks.
Gesture inserts are low front-right three-quarter sky views with connected shoulder, arm and hand. Troops and sphere stay outside these frames on her facing side, never behind her.
Battlefield shots exclude the Empress. Distance masters are high extreme wides dominated by empty grass; she is tiny beside the ruin.
LEFT hand keeps the spear; RIGHT arm controls water. She stays at her mark. Spear butt is grounded after the opening strike, visibly lifted for aiming, then planted at the ending.

CRITICAL CAPTURE GEOGRAPHY
Formation and compression happen over the original distant battlefield. The giant sphere's CENTER remains fixed above the fallen army's original footprint throughout shrinking. Its nearest surface remains beyond the empty 300-meter corridor.
The sphere finishes shrinking to palm size THERE, before traveling. Only the already-small droplet launches across the gap. Show departure, the empty-field crossing and arrival in that order.
No giant sphere beside the Empress, no shortening the grass corridor, no water hose between spear and sphere, no stationary funnel stretching across the field. Control acts remotely. A local liquid connection to the spear exists only during the tiny droplet's final contact.
ONE shared liquid volume holds all soldiers, becomes ONE small crystal-clear droplet and is absorbed into the SPEAR TIP. No separate bubbles per soldier or bead swarm.

LOOK AND STATE
Water remains transparent liquid with refraction, internal currents, foam and heavy runoff. Columns reach from ground through clouds beyond frame; their tops are never shown. Crystal-like means clear water with sharp highlights and a fluid surface.
Blue irises retain dark pupils and detail. Close blue mist glows on skin and metal. Hair and hems stream in one wind direction; retain skin and fabric texture.
Impacts propagate through formations with weight: shields buckle, soldiers tumble, land and stay down. Preserve fallen positions, cleared lanes, debris, hills and lighting across cuts. All troops are down by 17 seconds. They remain prone or limp during capture, never standing in rows inside the sphere. Miniaturize their enclosed magical space with the water; they retain tiny silhouettes.
Forms reuse existing water. No troop respawns or reserves.

00:00-00:03 — STRIKE AND AWAKEN
Open in a high oblique extreme wide: tiny Empress beside the right-hand ruin, distant army left, expansive empty grass between. She strikes the metal BUTT of her upright spear into her ground mark once.
Cut on the impact to her low front-right three-quarter waist-up view against sky. Still facing left toward the army, she shouts {KRAH... THAL!}, an invented shout with a hard final consonant and open-air echo. Blue irises and close body aura awaken as hair and hems whip in the wind. Her right arm reaches toward the army.
End: awakened Empress at the fixed mark; spear held left, right arm extended.

00:03-00:07 — GROUND RUSH AND PRISON
From beside her at ground level, water emerges around the spear butt and races along the dirt track. The camera leaves her and accelerates just above the grass, following this same leading stream across the empty corridor. Grass streaks past; soldiers grow progressively larger during the actual approach.
On arrival, the water forks around all ten thousand troops and closes a rectangular perimeter. Her right hand continues upward; linked columns erupt sequentially around the rectangle. From outside its near corner, look across two sides and tilt up as water pierces cloud and continues beyond frame. Columns' upper ends remain invisible. Boundary soldiers stagger inward under spray.
End: entire army inside the distant sky-reaching prison; the empty corridor remains outside it.

00:07-00:12 — WALL THROUGH THE FRONT HALF
Brief sky-backed hero insert: her raised right arm flows into one broad sideways sweep, shoulder and elbow connected.
Cut to an oblique tracking view outside the prison. In the half closest to the Empress, one side boundary thickens into a heavy water wall that drives across the full width. Follow the same advancing front continuously through bracing shields and successive ranks to the opposite boundary. Shields wrench loose; bodies are carried off their feet.
There, the wall curls inward and deposits the defeated troops along the INSIDE edge. Reveal the wet cleared lane, scattered equipment and fallen bodies; rear-half troops remain standing.
End: front half defeated, bodies retained inside the prison, front lane cleared.

00:12-00:17 — DESCENDING MASS
Her right hand flows from the sweep into a palm-down press in the same low sky-backed angle.
Connected currents condense inside the clouds above the still-occupied rear half. At rear troop height, helmets tip upward as a huge rectangular water mass emerges overhead.
Cut outside the prison to an oblique wide. The mass slams down across the rear half, breaking the remaining ranks; displaced water bursts against the containing perimeter. Follow the impact into falling spray and shallow runoff. Previously fallen groups remain where they landed, moved only by visible water.
End: all ten thousand soldiers down inside the rectangle, with damaged equipment and wet empty lanes visible.

00:17-00:21 — ONE GIANT CAPTURE VOLUME
A brief connected-arm insert shows her pressing right palm roll upward. Return to the DISTANT battlefield.
The perimeter columns unravel from their bases into streams, their remaining upper lengths still connected into cloud. This same water slides beneath every fallen group. In a rising oblique battlefield view, one continuous water envelope lifts the entire defeated army, curves around it and closes overhead into ONE enormous rounded droplet.
Show bodies leaving their actual ground positions and remaining limp inside the shared volume. The last columns join it and the prison fully releases. Heavy runoff exposes the cleared ground underneath.
End: one giant occupied droplet centered over the original battlefield, far beyond the empty corridor; no soldiers remain on the ground.

00:21-00:25 — SHRINK IN PLACE, THEN READY
Cut to the Empress's sky-backed three-quarter waist-up view. Her left hand visibly lifts the spear butt clear of the ground and angles the blade toward the distant sphere. Blue light travels along the existing ornamentation to its tip. Her right fingers slowly curl.
Cut back to a continuous battlefield-side view of the sphere against the SAME distant hills and cleared footprint. Keep its full outline visible. With its center stationary over that footprint, the single sphere contracts smoothly from enormous to human size to palm size. Internal currents draw inward and all enclosed soldiers shrink with the sealed space.
The camera observes from the battlefield side; the Empress and ruin are far outside this frame. There is no approach toward her during compression.
End: ONE palm-sized glowing-clear droplet suspended over the original far battlefield, fully compressed and still 300 meters or more from the Empress.

00:25-00:28 — EXTREME-DISTANCE SUCTION AND ABSORPTION
Open this beat in the high extreme-wide distance master: tiny Empress and ruin on the right, cleared battlefield on the left, the full empty corridor between. A small blue glint identifies the compressed droplet at its distant source.
Her right hand snaps inward. The small droplet launches from that distant point and races across the corridor at extreme speed. In the SAME wide shot, show its glint leave the field, pass the midpoint and approach the ruin. A brief spray wake marks its travel, dissipating behind it rather than forming a connecting tube.
Only after this crossing, cut on motion to a close side view of the spear tip. The SAME palm-sized droplet streaks into frame from the battlefield direction. Its surface briefly elongates on contact and all its liquid drains into the glowing tip, final tail included. The spear keeps its design.
End: the entire capture is inside the spear; no sphere remains outside.

00:28-00:30 — FINAL GROUND STRIKE
Immediately cut down to a low ground close-up at the ORIGINAL mark beside the ruin: her planted feet, moving garment hem and the lower spear shaft.
Still held in her left hand above frame, the spear rotates upright and its metal BUTT descends visibly into frame. She plants it firmly with ONE crisp TAK. The butt touches the grass and damp earth, compressing the turf and kicking out a small ring of droplets and soil.
Finish on the grounded butt, stable feet and moving hem. The remaining blue reflection fades. End on the physical contact and its sound, without another face shot, new attack or fade-out.

AUDIO
Spear impact, the opening incantation, accelerating water, column roar, shield crashes, heavy descending blast, deep compression resonance, a sharp fast suction rush, brief absorption pulse, then the final dry TAK on earth. Battle cries are wordless. No other intelligible speech, narration, singing or background music. No subtitles, on-screen text, logo or watermark throughout.