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프로젝트 / POSEIDON 8 · 2026년 10월 9일

POSEIDON 8

시간 수호자가 연 문에서 작은 씨앗 생물이 튀어나옵니다. 여제와 눈을 맞춘 생물은 왕궁 바닥에 뿌리내리고 거대한 나무 괴수로 변합니다.

레퍼런스 순서표
Seedance 2.5모델명
75총 길이, 초
4클립
6References
3생성 결과

발행일 2026년 10월 9일

제작기

다른 시간대로 이어지는 길을 보여주겠다는 시간 수호자의 말에서 시작합니다. 여제 앞에서 지팡이를 세우자 공기가 얇게 일렁이고, 사람 한 명이 지나갈 정도의 틈 사이로 낯선 세계가 잠깐 비칩니다. 그 문을 넘어온 것은 위협적인 군대가 아니라 발바닥만 한 씨앗 생물입니다. 작은 발로 왕궁 바닥을 뛰는 소리까지 가볍게 잡아 초반의 긴장을 잠시 풀었습니다. 반전은 생물이 멀리 달아난 뒤 시작합니다. 씨앗 껍질이 그대로 커지는 대신 갈라진 껍질과 젖은 섬유가 뿌리, 몸통, 팔과 수관으로 차례대로 바뀝니다. 여섯 장의 레퍼런스 이미지로 두 인물의 얼굴과 의상, 각자의 소품, 왕궁의 구조와 생물의 두 상태를 나눠 고정했습니다. 특히 큰 형태가 먼저 나타나지 않도록 작은 상태의 시간 구간을 분리하고, 하나의 몸이 이어서 변한다는 조건을 반복했습니다. 성장 장면에서는 카메라가 뒤로 빠지고 위로 기울어 두 사람을 크기 기준으로 남깁니다. 수관이 햇빛을 가리면서 그림자가 바닥에서 인물들의 얼굴까지 올라오고, 마지막에는 완성된 괴수와 여제, 머쓱해진 시간 수호자를 한 화면에 둡니다. 전투로 바로 넘어가지 않고 사고의 규모를 확인하는 표정에서 장면을 닫았습니다.

클립별 레시피

클립 1 / 4

2026년 9월 12일 · 21:9 · 992×432

Controlled 30-second live-action sequence, timed cuts, continuous real time, exact English lip sync. Ancient maritime court of limestone, water, hand-forged bronze, mineral, wood, leather and cloth.

REFERENCES
 defines the Empress's identity, body, complete costume and accessories; not background, panels, pose, expression, light or framing.
 defines her ONE spear's design, scale and materials; not its display background or hand.
 defines the Time Guardian's identity, body, hair, beard, complete costume and accessories; not background, panels, pose, expression, light or framing. Never mix identities or costumes.
 defines his ONE nearly body-height guardian staff: silhouette, ancient materials, engraved channels and mineral crown; not its background. Grounded beside him, its crown reaches above his shoulder. Never a short wand or machine.
 defines ONE creature in two sequential states. The left state is its adult-foot-sized form and is the ONLY visible creature before 00:20. The right state defines its final forty-meter tree-monster anatomy and appears only through the continuous transformation at 00:20-00:28. Before 00:20 the large form exists nowhere: not through the portal, in the background, architecture, reflection, shadow or silhouette. Never show both states as separate creatures or reproduce the sheet layout.
 defines the court's architecture, floor, water, columns, materials and daylight only; not camera, people or markings. Do not expand it.

CONTINUITY AND GEOGRAPHY
Exactly two people and one continuous creature; no spectators. Empress begins screen-left beside the left water channel, Time Guardian screen-right beside a bronze-inlaid seam, within conversational distance. Beyond them, a broad empty span crosses several complete column bays to the far side of the court. Camera never flips this arrangement. They look and speak toward each other, never at the camera; dialogue uses readable three-quarter views.
The Empress holds  right-handed throughout, upright and grounded when still. It never changes hands, duplicates, floats or morphs. Only the Time Guardian owns . Daylight comes from screen-left.

00:00-00:03.8 — EMPRESS
Slightly low medium close-up from the Time Guardian's side. Empress looks screen-right at him; her right grip and upright spear shaft remain at frame edge. Wind moves cape and hair. One brow tightens while her jaw stays controlled. Low skeptical English, precise lip sync: {That’s a lie. You can travel to another timeline?}

00:03.8-00:06.5 — ANSWER
Medium three-quarter view of the Time Guardian looking screen-left at her. Calm English: {Not travel. I simply open the way.} On the last words he lowers the base of the tall  onto the existing seam. Its full floor-to-above-shoulder length remains visible beside him. The mineral crown wakes with a faint pale teal-white glow that touches his hand, sleeve and floor. His free palm turns toward the empty air between them.

00:06.5-00:08.2 — QUICK PORTAL
One medium-wide keeps the Time Guardian, the full tall staff and the air between them visible. A faint pulse travels up the engravings into the mineral crown. He makes one short sideways guiding motion with the crown, and the air follows as if a thin transparent layer is gently drawn aside. Within about 1.5 seconds, the distortion becomes one standing-adult high and one-person wide.
It has no bright outline or rim: the visible court simply wavers like heat haze over water. Colossal roots, wet black rock and a murky-orange sky appear faintly behind the boundaryless refraction. The crown stays softly lit; dust and droplets lean toward it. No ring, runes, gears, lightning, sparks or smoke.

00:08.2-00:11.2 — SMALL CREATURE ONLY
Only 's small left-state creature is visible inside; no giant form or silhouette exists in either world. It hops through and drops under gravity between them. Soft “pup,” two claw taps, leaf rustle; it compresses, rebounds once and settles at adult-foot size.
The Time Guardian eases the crown back. Air slips naturally into place behind the creature; the other world fades, the court straightens, dust falls, water ripples and the glow fades. Nothing snaps shut or flashes.

00:11.2-00:14.2 — EYE CONTACT
Low composition: tiny creature foreground, Empress left behind it, Time Guardian right. It looks up at the Empress for one full beat and gives a cute breathy chirp. She watches it and asks in English: {Who is that?} Cut to the Time Guardian; his confidence catches after a small uncertain inhale: {Hmm…}

00:14.2-00:18.2 — RUN
Immediately after “Hmm…,” it turns away and runs diagonally across the open court. Track low beside it. Tiny feet alternate with real traction and momentum, making cute rapid “tok-tok-tok-tok” taps, dry-seed rattle and leaf flutter. It crosses several complete column bays and reaches a clear off-center patch on the far side. The empty floor between that patch and the pair equals roughly half the creature's final height, leaving the pair beyond the future root spread. It stops, turns its entire body back toward them and locks eyes with them. The Empress and Time Guardian pivot from the hips and shoulders to face it directly across the open span. All three now face one another; nobody presents their back to an opponent. The large form is still absent.

00:18.2-00:20.0 — ROOTING
Still facing the pair from the far off-center patch, the small creature crouches. Four thin roots emerge beneath it and enter existing floor cracks, pushing grit and pebbles aside. Its face and chest remain aimed toward them while the roots anchor it. It remains recognizable and below human height. A deep wooden pulse replaces the cute sounds. End with the shell only beginning to swell.

00:20.0-00:28.0 — CONTINUOUS GROWTH, ONE SHOT
One uninterrupted shot shows the entire transformation; no cutaway, jump cut, hidden interval or size jump. Use a side-offset wide that clearly shows the pair on the near side, the long empty floor, and the rooted creature facing them from the far off-center patch. Its front remains oriented toward the pair throughout. As it grows, the camera dollies backward and tilts upward, retaining both sides of the confrontation and the changing silhouette. The empty span was chosen from the final scale: roughly half the monster's completed height from its trunk to the pair, plus clear floor beyond the widest roots. The pair stay outside the root spread.

00:20-00:22: foot size to about three meters. The shell swells and splits. Wet fibers twist into two load-bearing root legs that lift the body while anchored points crack the stone.

00:22-00:25: three to fifteen meters. Shell plates become bark armor. Fibers form a hunched torso and predatory forelimbs. The two leaves split into a widening crown; thickening roots lever slabs upward. As the crown blocks daylight, its moving shadow crosses the floor, covers both people's feet, then climbs over their bodies and faces. Their eyes and chins track it; displaced air moves hair and capes.

00:25-00:28: fifteen to forty meters. Bark plates lock over the torso, thorned branches form hooked limbs, and the original seed seam tears into a savage wooden maw with splintered teeth. Connected roots expand radially and separate stone slabs. The camera keeps retreating and tilting up until the crown reaches roughly five times the height of the eight-meter columns. Its shadow engulfs both people and most of the court. They remain clearly identifiable at ground level.
Every seed component visibly reorganizes into 's right-state anatomy. It never merely scales up, pauses, teleports, resets or creates a second body. Heavy root grinding, wet fibers stretching, bark splitting, brutal wood creaks, falling stone and displaced air. Debris rises only when pushed and falls under gravity. No glowing veins, energy wave or particle explosion.

00:28-00:30 — GLARE
Cut only after the full forty-meter transformation is complete. Three-quarter two-shot from the flank of the confrontation: Empress left and Time Guardian right stand in the near foreground, bodies aimed diagonally across the court at the monster. The monster's front-facing trunk and lower branches remain visible on the far side, aimed back at them. Neither side turns its back. She keeps her torso toward the monster, shifts her eyes toward the Time Guardian, then turns only her face screen-right and glares. Clipped restrained English, precise lip sync: {You little—}
He remains dignified but sheepish: shoulders soften, eyes dip, grip adjusts. He clears his throat once—a restrained “ahem”—and checks her reaction sideways. One deep wooden groan. End on the continuing live image with both people and monster visible and moving; no blackout, fade, freeze or end card.

SPOKEN AUDIO
Exactly five English lines, one voice at a time, in this order: {That’s a lie. You can travel to another timeline?} {Not travel. I simply open the way.} {Who is that?} {Hmm…} {You little—} The throat-clear is nonverbal. Nobody else speaks.

PHYSICS AND AUDIO
Photoreal skin, cloth, stone, water, bronze, bark, roots and dust. The crown is the only supernatural light and fades when the distortion closes. The small creature is the sole form until rooting, then transforms once at the far off-center patch. Creature and pair face each other across the expansion span. Natural acting, breathing, blinking, eyelines, weight, traction and motion blur.
Diegetic audio only: wind, surf, cloth, footsteps, bronze, staff resonance, brief portal pressure, cute landing and running sounds, roots, wood, stone, displaced air, five quoted lines and one throat-clear. No background music, narration, subtitles, on-screen text, title, logo or watermark. No slow motion or speed ramp.

References

POSEIDON

다른 작품

더 디테일한 제작 패키지 구상 중

지금 공개된 프로젝트들보다 더 디테일한 유료 패키지를 구상하는 중입니다. 이메일을 남겨 주시면 출시 후 가장 먼저 알려드릴게요.

POSEIDON 8 · How to make this?