클립 1 / 3
생성 프롬프트 · 3221자
Montage, multi-shot slice-of-life animation, don't use one camera angle or single cut, hand-drawn cel animation with clean confident linework, flat cel shading in two shadow steps, hand-painted gouache backgrounds, warm practical lighting, subtle animation grain, candid handheld framing that catches each action a beat late, slightly imperfect reframing — 5 shots. A woman shares her cramped one-room studio apartment with a palm-sized orange dragon that keeps setting small fires in its sleep. Tonight it has burnt her bread black inside the chrome toaster again, and the scorched tiles, the sooted smoke alarm and the burnt dishcloth show this has happened many times before. She finally decides she cannot keep it and sends it out the door, and the moment it looks back the ceiling light dies. Arc from weary routine to a hard decision to sudden darkness. Scale rule: the dragon is shorter than the woman's own hand resting beside it, and the fallen sneaker it walks past rises taller than its whole body and dwarfs it. Her face stays visible in every shot so each reaction reads. Shot 1 (0.0-2.0s): The cramped one-room studio apartment at night seen from the entryway corner. On the kitchen counter a chrome toaster rattles by itself, a thread of smoke rising from the slot and a flicker of orange light pulsing deep inside it. Camera holds the room in a loose medium wide, handheld. Shot 2 (2.0-5.0s): The woman walks in and pushes the lever up, two slices of bread burnt completely black spring out, and an orange dragon pushes itself upright between them, shorter than her hand resting on the counter beside it. She says, tired and unsurprised: 「また焦がしたでしょ」. Camera stays with her at counter height, drifting slightly, handheld. Shot 3 (5.0-8.0s): She breathes out and looks past it at the wall — scorch marks across several tiles, a ceiling smoke alarm blackened with soot, a dishcloth burnt at one end. Her face hardens into a decision and she points at the front door, saying quietly: 「火は、だめだって」. Camera pans with her gaze to the wall and back, handheld. Shot 4 (8.0-12.0s): The dragon lets its whole body sag, grips a broken piece of burnt bread in its jaws, drops down to the floor and walks toward the entrance, passing a fallen sneaker that rises taller than its whole body. Camera drops to floor height and follows it at its own walking pace, handheld. Shot 5 (12.0-15.0s): At the door the dragon turns its head back over its shoulder, the woman looks away rather than meet its eyes, and the ceiling fluorescent snaps off, dropping the room into blue window light. Camera settles and locks off as the light dies. Sound: no music, only raw SFX — a metallic rattle inside the toaster, the lever snapping up, one long tired breath, tiny claws scuffing across the floor, and a fluorescent tube popping off into silence. Both spoken lines are delivered close to camera with her mouth clearly visible. EMOTIONS: the woman — weary recognition to affection to reluctance to hardened decision to immediate regret. No subtitles, no on-screen text, no logo, no watermark. Never render a reference sheet or duplicate a subject.